Palgrave Shakespeare Studies – serie

Knowing Shakespeare

Senses, Embodiment and Cognition

Shakespeare and the Truth of Love

The Mystery of 'The Phoenix and Turtle'

Shakespeare and Conflict

A European Perspective

Shakespeare and the Shrew

Performing the Defiant Female Voice

Posthumanist Shakespeares

Filming Shakespeare in the Global Marketplace

Shakespeare and the Institution of Theatre

‘The Best in this Kind’

Shakespeare and Character

Theory, History, Performance and Theatrical Persons

Popular Shakespeare

Simulation and Subversion on the Modern Stage

Shakespeare's Drama of Exile

Shakespeare's Boys

A Cultural History

Shakespeare and the Urgency of Now

Criticism and Theory in the 21st Century

Shakespeare and the Performance of Girlhood

Shakespeare's 'Whores'

Erotics, Politics, and Poetics

Shakespeare's Anti-Politics

Sovereign Power and the Life of the Flesh

Teaching Shakespeare Beyond the Centre

Australasian Perspectives

Revisiting The Tempest

The Capacity to Signify

Staged Transgression in Shakespeare's England

Imagining Shakespeare's Original Audience, 1660-2000

Groundlings, Gallants, Grocers

Shakespearean Echoes

Shakespeare, Dissent and the Cold War

Prison Shakespeare

For These Deep Shames and Great Indignities

Shakespeare and Emotions

Inheritances, Enactments, Legacies

Shakespeare and the Embodied Heroine

Staging Female Characters in the Late Plays and Early Adaptations

Shakespeare and Space

Theatrical Explorations of the Spatial Paradigm

Shakespeare’s Extremes

Wild Man, Monster, Beast

Shakespearean Allusion in Crime Fiction

DCI Shakespeare

Shakespeare and Authority

Citations, Conceptions and Constructions

Knowing Shakespeare

Senses, Embodiment and Cognition