October Books – serie

Guy Debord and the Situationist International

Texts and Documents

Techniques of the Observer

On Vision and Modernity in the Nineteenth Century

Suspensions of Perception

Attention, Spectacle, and Modern Culture

Artwork Caught by the Tail

Francis Picabia and Dada in Paris

Women Artists at the Millennium

Being Watched

Yvonne Rainer and the 1960s

Perpetual Inventory

Realism after Modernism

The Rehumanization of Art and Literature

Looking for Bruce Conner

Art Demonstration

Group Material and the 1980s

Gerhard Richter

Painting After the Subject of History

Robert Ryman

Used Paint

Return of the Real

Art and Theory at the End of the Century

Subjectivity Effect in Western Literary Tradition

Essays toward the Release of Shakespeare's Will

Against Architecture

The Writings of Georges Bataille

Infinite Regress

Marcel Duchamp 1910-1941

Random Order

Robert Rauschenberg and the Neo-Avant-Garde

Optical Unconscious

Cinema, Censorship, and the State

The Writings of Nagisa Oshima, 1956-1978

Fast Cars, Clean Bodies

Decolonization and the Reordering of French Culture

Leave Any Information at the Signal

Writings, Interviews, Bits, Pages

Decoys and Disruptions

Selected Writings, 1975–2001

Women Artists at the Millennium

Robert Ryman

Used Paint

Hall of Mirrors

Roy Lichtenstein and the Face of Painting in the 1960s

Formalism and Historicity

Models and Methods in Twentieth-Century Art

On the Eve of the Future

Selected Writings on Film

Toward Fewer Images

The Work of Alexander Kluge

Barbarian Invasions

A Genealogy of the History of Art