New Studies in European Cinema – serie

From Self-Portrait to Selfie

Representing the Self in the Moving Image

Haunting the Left Bank

Mortality and Intersubjectivity in Varda, Resnais and Marker

Political Gesture in Pedro Costa’s Films

Reframing the European Other

Identity and Belonging in Contemporary French and German Cinema

New Italian Cinema of Precarity

Thinking Images

The Essay Film as a Dialogic Form in European Cinema

Of Empire and the City

Remapping Early British Cinema

Cinema at the Shore

The Beach in French Film

Performing the Modern German

Performance and Identity in Contemporary German Cinema

Time and Space in Contemporary Greek-Cypriot Cinema

Visual Anthropology in Sardinia

Listening to the French New Wave

The Film Music and Composers of Postwar French Art Cinema

Cinema of the Swimming Pool

Mapping Cinematic Norths

International Interpretations in Film and Television

Contemporary Greek Film Cultures from 1990 to the Present

Revisiting Space

Space and Place in European Cinema

Ripping Open the Set

French Film Design, 1930–1939

Polish Postcommunist Cinema

From Pavement Level

Pictures of the Mind

Surrealist Photography and Film

In the Dark Room

Marguerite Duras and Cinema

Cross-Channel Perspectives

The French Reception of British Cinema

Crossing the Wall

The Western Feature Film Import in East Germany

Questions of Colour in Cinema

From Paintbrush to Pixel