New Perspectives in Music History and Criticism – serie

Reading Opera between the Lines

Orchestral Interludes and Cultural Meaning from Wagner to Berg

Absolute Music and the Construction of Meaning

The Free Fantasia and the Musical Picturesque

Music and the Origins of Language

Theories from the French Enlightenment

Wagner's Musical Prose

Texts and Contexts

Quotation and Cultural Meaning in Twentieth-Century Music

The Characteristic Symphony in the Age of Haydn and Beethoven

Bach and the Meanings of Counterpoint

Hugo Riemann and the Birth of Modern Musical Thought

The Virtuoso Liszt

The Singing of the New World

Indigenous Voice in the Era of European Contact

Monteverdi's Unruly Women

The Power of Song in Early Modern Italy

The Invention of 'Folk Music' and 'Art Music'

Emerging Categories from Ossian to Wagner

Wagner's Musical Prose

Texts and Contexts

Music and the Origins of Language

Theories from the French Enlightenment

Verdi and the Germans

From Unification to the Third Reich

Schoenberg and Redemption

Embodied Voices

Representing Female Vocality in Western Culture

Absolute Music and the Construction of Meaning

Rap Music and the Poetics of Identity

Rap Music and the Poetics of Identity

The Free Fantasia and the Musical Picturesque

The Characteristic Symphony in the Age of Haydn and Beethoven

Bach and the Meanings of Counterpoint

Reading Opera between the Lines

Orchestral Interludes and Cultural Meaning from Wagner to Berg

Medieval Music-Making and the Roman de Fauvel

Hugo Riemann and the Birth of Modern Musical Thought

Quotation and Cultural Meaning in Twentieth-Century Music

The Virtuoso Liszt