New Americanists – serie

In the Name of National Security

Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America

Coyote Country

Fictions of the Canadian West

Revisionary Interventions Into the Americanist Canon

First Woman in the Republic

A Cultural Biography of Lydia Maria Child

National Identities and Post-Americanist Narratives

Revisionary Interventions Into the Americanist Canon

Constituting Americans

Cultural Anxiety and Narrative Form

American Anatomies

Theorizing Race and Gender

Errant Art of Moby-Dick

The Canon, the Cold War, and the Struggle for American Studies

Macropolitics of Nineteenth-Century Literature

Nationalism, Exoticism, Imperialism

Containment Culture

American Narratives, Postmodernism, and the Atomic Age

Italian Signs, American Streets

The Evolution of Italian American Narrative

Italian Signs, American Streets

The Evolution of Italian American Narrative

Passing and the Fictions of Identity

Passing and the Fictions of Identity

Male Call

Becoming Jack London

Indian Nation

Native American Literature and Nineteenth-Century Nationalisms

Lydia Maria Child Reader

Homosexuality in Cold War America

Resistance and the Crisis of Masculinity

Race and the Subject of Masculinities

Home Fronts

Domesticity and Its Critics in the Antebellum United States

Women's Camera Work

Self/Body/Other in American Visual Culture

Sign of the Cannibal

Melville and the Making of a Postcolonial Reader

Other Henry James

Countermodernism and Francophone Literary Culture

The Game of Slipknot

Other Henry James

National Manhood

Capitalist Citizenship and the Imagined Fraternity of White Men

First Woman in the Republic

A Cultural Biography of Lydia Maria Child

Seventies Now

Culture As Surveillance