Musical Cultures of the Twentieth Century – serie

Investigating Musical Performance

Theoretical Models and Intersections

Composing for the State

Music in Twentieth-Century Dictatorships

Female Voice in the Twentieth Century

Material, Symbolic and Aesthetic Dimensions

Finding Democracy in Music

Finding Democracy in Music

Scoring Italian Cinema

Patterns of Collaboration

Female Voice in the Twentieth Century

Material, Symbolic and Aesthetic Dimensions

New Music Theatre in Europe

Transformations between 1955-1975

Mediations of Music

Critical Approaches after Adorno

Mediations of Music

Critical Approaches after Adorno

Musical Listening in the Age of Technological Reproduction

Music-Dance

Sound and Motion in Contemporary Discourse

Noise as a Constructive Element in Music

Theoretical and Music-Analytical Perspectives

Investigating Musical Performance

Theoretical Models and Intersections

Noise as a Constructive Element in Music

Theoretical and Music-Analytical Perspectives

Music-Dance

Sound and Motion in Contemporary Discourse

New Music Theatre in Europe

Transformations between 1955-1975

Composing for the State

Music in Twentieth-Century Dictatorships