Music in Nineteenth-Century Britain – serie

Music and World-Building in the Colonial City

Newcastle, NSW, and its Townships, 1860–1880

French Music in Britain 1830–1914

Figures of the Imagination

Fiction and Song in Britain, 1790–1850

Arthur Sullivan

A Musical Reappraisal

Singing the English

Britain in the French Musical Lowbrow, 1870–1904

Music and World-Building in the Colonial City

Newcastle, NSW, and its Townships, 1860–1880

Sound, Sin, and Conversion in Victorian England

Music Profession in Britain, 1780-1920

New Perspectives on Status and Identity

Musical Life of Nineteenth-Century Belfast

French Music in Britain 1830–1914

Richard D’Oyly Carte

Michael Costa: England's First Conductor

The Revolution in Musical Performance in England, 1830-1880

Music and Metaphor in Nineteenth-Century British Musicology

Singing Bourgeois

Songs of the Victorian Drawing Room and Parlour

Figure of Music in Nineteenth-Century British Poetry

English Musical Renaissance and the Press 1850-1914: Watchmen of Music

Nineteenth-Century British Music Studies

Volume 3

Europe, Empire, and Spectacle in Nineteenth-Century British Music

In Search of Song: The Life and Times of Lucy Broadwood

Music and Orientalism in the British Empire, 1780s–1940s

Portrayal of the East

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

Charles Hallé: A Musical Life

Piano in Nineteenth-Century British Culture

Instruments, Performers and Repertoire

Hamish MacCunn (1868-1916): A Musical Life

Musical Life of Nineteenth-Century Belfast

Mendelssohn and Victorian England

Singing the English

Britain in the French Musical Lowbrow, 1870–1904

Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951