Music in Nineteenth-Century Britain – serie

Music and World-Building in the Colonial City

Newcastle, NSW, and its Townships, 1860–1880

French Music in Britain 1830–1914

Figures of the Imagination

Fiction and Song in Britain, 1790–1850

Arthur Sullivan

A Musical Reappraisal

Singing the English

Britain in the French Musical Lowbrow, 1870–1904

Music and World-Building in the Colonial City

Newcastle, NSW, and its Townships, 1860–1880

Sound, Sin, and Conversion in Victorian England

Music Profession in Britain, 1780-1920

New Perspectives on Status and Identity

Musical Life of Nineteenth-Century Belfast

French Music in Britain 1830–1914

Richard D’Oyly Carte

Michael Costa: England's First Conductor

The Revolution in Musical Performance in England, 1830-1880

Music and Metaphor in Nineteenth-Century British Musicology

House of Novello

Practice and Policy of a Victorian Music Publisher, 1829–1866

Singing Bourgeois

Songs of the Victorian Drawing Room and Parlour

Figure of Music in Nineteenth-Century British Poetry

Michael William Balfe

His Life and His English Operas

Idea of Music in Victorian Fiction

English Musical Renaissance and the Press 1850-1914: Watchmen of Music

Viotti and the Chinnerys

A Relationship Charted Through Letters

Vincent Novello (1781–1861)

Music for the Masses

Music and the Middle Class

The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848

Nineteenth-Century British Music Studies

Volume 3

Europe, Empire, and Spectacle in Nineteenth-Century British Music

In Search of Song: The Life and Times of Lucy Broadwood

Music and Orientalism in the British Empire, 1780s–1940s

Portrayal of the East

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

Charles Hallé: A Musical Life