Modern and Contemporary Poetics – serie

Objectivist Nexus

Essays in Cultural Poetics

Translating the Unspeakable

Poetry and the Innovative Necessity

Extraordinary Measures

Afrocentric Modernism and 20th Century American Poetry

Everybody's Autonomy

Connective Reading and Collective Identity

Digital Poetics

The Making of E-poetries

Telling It Slant

Avant-garde Poetics of the 1990s

Architectural Body

Finding the Weight of Things

Larry Eigner's Ecrippoetics

This Is Called Moving

A Critical Poetics of Film

Point Is to Change It

Poetry and Criticism in the Continuing Present

Prehistoric Digital Poetry

An Archaeology of Forms, 1959-1995

Radical Poetics and Secular Jewish Culture

Radical Affections

Essays on the Poetics of Outside

Stubborn Poetries

Poetic Facticity and the Avant-Garde

Reading the Difficulties

Dialogues with Contemporary American Innovative Poetry

Contemporaries and Snobs

Active Romanticism

The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice

What I Say

Innovative Poetry by Black Writers in America

Intricate Thicket

Reading Late Modernist Poet

Astonishment Tapes

Talks on Poetry and Autobiography with Robin Blaser and Friends

Ecology of Modernism

American Environments and Avant-Garde Poetics

Transmutation of Love and Avant-Garde Poetics

Archaeopoetics

Word, Image, History

Imperfect Fit

Aesthetic Function, Facture, and Perception in Art and Writing Since 1950

Modernism the Morning After

Word Toys

Poetry and Technics

Interruptions

The Fragmentary Aesthetic in Modern Literature

Letters to Jargon

The Correspondence Between Larry Eigner and Jonathan Williams

American Poetry As Transactional Art