Palgrave Studies in Crime, Media and Culture – serie

Transmedia Crime Stories

The Trial of Amanda Knox and Raffaele Sollecito in the Globalised Media Sphere

Transmedia Crime Stories

The Trial of Amanda Knox and Raffaele Sollecito in the Globalised Media Sphere

Serial Killers and the Media

The Moors Murders Legacy

Crime, Deviance and Popular Culture

International and Multidisciplinary Perspectives

Media, Crime and Racism

Rape Narratives in Motion

Representing the Experience of War and Atrocity

Interdisciplinary Explorations in Visual Criminology

Deviant Leisure

Criminological Perspectives on Leisure and Harm

Deviant Leisure

Criminological Perspectives on Leisure and Harm

Criminal Anthroposcenes

Media and Crime in the Vanishing Arctic

Criminal Anthroposcenes

Media and Crime in the Vanishing Arctic

Capitalism, Crime and Media in the 21st Century

Capitalism, Crime and Media in the 21st Century

Prisoners on Prison Films

Policing, Mental Illness and Media

The Framing of Mental Health Crisis Encounters and Police Use of Force

Policing, Mental Illness and Media

The Framing of Mental Health Crisis Encounters and Police Use of Force

Urban Crime Control in Cinema

Fallen Guardians and the Ideology of Repression

Urban Crime Control in Cinema

Fallen Guardians and the Ideology of Repression

Serial Killing on Screen

Adaptation, True Crime and Popular Culture

Serial Killing on Screen

Adaptation, True Crime and Popular Culture

Framing the Penal Colony

Representing, Interpreting and Imagining Convict Transportation

Framing the Penal Colony

Representing, Interpreting and Imagining Convict Transportation

Racism, Violence and Harm

Ideology, Media and Resistance

Racism, Violence and Harm

Ideology, Media and Resistance

Visual Methods for Sensitive Images

Ethics and Reflexivity in Criminology On/Offline

Visual Methods for Sensitive Images

Ethics and Reflexivity in Criminology On/Offline

Direct Action as Conceptual Art?

An Examination of the Role of the Communiqué for Ecodefense

Direct Action as Conceptual Art?

An Examination of the Role of the Communiqué for Ecodefense

Trial by Media

Participatory Justice in a Networked World