Literary Criticism in Perspective – serie

Kafka's The Castle and the Critical Imagination

Oscar Wilde in the 1990s

The Critic as Creator

Schiller's Aesthetic Essays

Two Centuries of Criticism

Changing Perceptions of Thomas Mann's Doctor Faustus

Criticism 1947-1992

Ezra Pound and the Career of Modern Criticism

Professional Attention

Critical Reception of Alfred Döblin's Major Novels

Georg Büchner's Woyzeck

A History of Its Criticism

Dickens Industry

Critical Perspectives 1836-2005

Critical Reception of James Baldwin, 1963-2010

An Honest Man and a Good Writer

Afterlife of Edgar Allan Poe

Entanglements of Nathaniel Hawthorne

Haunted Minds and Ambiguous Approaches

American Icon

Fitzgerald's The Great Gatsby in Critical and Cultural Context

Jane Austen

Two Centuries of Criticism

Critical Reception of Henry James

Creating a Master

Approaching Emily Dickinson

Critical Currents and Crosscurrents since 1960

Dickens Industry

Critical Perspectives 1836-2005

Reading Abolition

The Critical Reception of Harriet Beecher Stowe and Frederick Douglass

Following Faulkner

The Critical Response to Yoknapatawpha's Architect

Critics and Hemingway, 1924-2014

Shaping an American Literary Icon

Critical Life of Toni Morrison

Becoming John Updike

Critical Reception, 1958-2010

Critical Reception of James Baldwin, 1963-2010

An Honest Man and a Good Writer

Willa Cather

The Critical Conversation

Jane Austen

Two Centuries of Criticism

Mark Twain under Fire

Reception and Reputation, Criticism and Controversy, 1851-2015

Melville's Mirrors

Literary Criticism and America's Most Elusive Author

At War with The Red Badge of Courage

A Critical and Cultural History

Critics and Hemingway, 1924-2014

Shaping an American Literary Icon

Critical Reception of Sir Arthur Conan Doyle

Sherlock Holmes and Beyond