Studies in Art, Heritage, Law and the Market – serie

Crime and Art

Sociological and Criminological Perspectives of Crimes in the Art World

Crime and Art

Sociological and Criminological Perspectives of Crimes in the Art World

Colonial Heritage and Urban Transformation in the Global South

Excavating the Ruins of Cape Town's Rebirth

Colonial Heritage and Urban Transformation in the Global South

Excavating the Ruins of Cape Town's Rebirth

Repatriation of Sacred Indigenous Cultural Heritage and the Law

Lessons from the United States and Canada

Repatriation of Sacred Indigenous Cultural Heritage and the Law

Lessons from the United States and Canada

Cultural Heritage in Transition

A Multi-Level Perspective on World Heritage in Germany and the United Kingdom, 1970-2020

Cultural Heritage in Transition

A Multi-Level Perspective on World Heritage in Germany and the United Kingdom, 1970-2020

Participatory Practices in Art and Cultural Heritage

Learning Through and from Collaboration

Participatory Practices in Art and Cultural Heritage

Learning Through and from Collaboration

Art Crime in Context

Art Crime in Context

Regulatory Framework for the Art Market?

Authenticity, Forgeries and the Role of Art Experts

Regulatory Framework for the Art Market?

Authenticity, Forgeries and the Role of Art Experts

UNESCO, Cultural Heritage and Conflict in Yemen, Syria and Iraq

UNESCO, Cultural Heritage and Conflict in Yemen, Syria and Iraq

Conservation of Contemporary Art

Bridging the Gap Between Theory and Practice

Conservation of Contemporary Art

Bridging the Gap Between Theory and Practice

Appropriating Sacred Spaces

Heritage Politics in Myanmar

Appropriating Sacred Spaces

Heritage Politics in Myanmar

Researching a Rigged Game: Digital Approaches to Tracing the Illicit Trade in Cultural Objects

Contestation, Reinvention, and Regulation of Cultural Heritage Through Dissent