Interdisciplinary Studies in Performance – serie

Theater and the Sacred in the Middle Ages

Tendenzen der zeitgenoessischen Dramatik

Kinetics of the Invisible

Acting Processes in Peter Brook's Theatre

Long Shadow of Don Quixote

Witkacy. Logos and the Elements

Performance of Identity of Polish Tatars

From Religious Holidays to Everyday Rituals

Dancer – Researcher – Performer: A Learning Process

Second Birth of Theatre

Performances of Anglo-Saxon Monks

Cinematic Echoes of Covenants Past and Present

National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda

Raumformen in Der Gegenwartsdramatik

Conflict and Controversy in Small Cinemas

Between Dream and Reality: «The Saragossa Manuscript»

An Analysis of Wojciech Jerzy Has’s Movie

Intense Bodily Presence

Practices of Polish Butō Dancers

American Political Opera in the Twentieth Century

Grotowski in Iran

Zur Funktion Und Bedeutung Des Chors Im Zeitgenoessischen Drama Und Theater

Shakespeare in 19th-Century Opera

Cinema of Iceland

Between Tradition and Liquid Modernity

Running off the Anger: British New Wave

Japanese Avant-Garde and Experimental Film

In the Footsteps of Harlequin and Pulcinella

Cultural Mobility and Localness of Theatre

Political Music

Communication and Mobilization

Political Music

Legitimization and Contestation

Theatre of the Absurd, the Grotesque and Politics

A Study of Samuel Beckett, Harold Pinter and Tom Stoppard

Truth, Beauty, and the Common Good

The Search for Meaning through Culture, Community and Life

Cuerpo del Espectador / El Cuerpo del Lector (Presencias Reales del Teatro Y La Literatura)

Wanda Jakubowska Revisited

Kantor: Non/Presence

Communication and Reception of Polish Theatre in China