Interdisciplinary German Cultural Studies – serie

W. G. Sebald

History - Memory - Trauma

Victims and Perpetrators: 1933-1945

(Re)Presenting the Past in Post-Unification Culture

Sites of the Uncanny

Paul Celan, Specularity and the Visual Arts

Memory Matters

Generational Responses to Germany's Nazi Past in Recent Women's Literature

Reproducing Enlightenment: Paradoxes in the Life of the Body Politic

Literature and Philosophy around 1800

"Sinn und Form"

The Anatomy of a Literary Journal

Myth, Matriarchy and Modernity

Johann Jakob Bachofen in German Culture. 1860–1945

When Machines Play Chopin

Musical Spirit and Automation in Nineteenth-Century German Literature

Complicity, Censorship and Criticism

Negotiating Space in the GDR Literary Sphere

Happy Burden of History

From Sovereign Impunity to Responsible Selfhood

Rethinking Emotion

Interiority and Exteriority in Premodern, Modern, and Contemporary Thought

Germans Going Global

Contemporary Literature and Cultural Globalization

Visualizing the Past

The Power of the Image in German Historicism

Max Pechstein: the Rise and Fall of Expressionism

W.G. Sebald’s Hybrid Poetics

Literature as Historiography

Revolutionary Subjects

German Literatures and the Limits of Aesthetic Solidarity with Latin America

German Women Writers and the Spatial Turn: New Perspectives

KulturConfusão – On German-Brazilian Interculturalities

Performing Knowledge, 1750-1850

Kafka and the Universal

Musical Biographies

The Music of Memory in Post-1945 German Literature

Happy Burden of History

From Sovereign Impunity to Responsible Selfhood

Germans Going Global

Contemporary Literature and Cultural Globalization

W.G. Sebald’s Hybrid Poetics

Literature as Historiography

Cosmic Miniatures and the Future Sense

Alexander Kluge's 21st-Century Literary Experiments in German Culture and Narrative Form

Proletarian Dream

Socialism, Culture, and Emotion in Germany, 1863–1933

Revolutionary Subjects

German Literatures and the Limits of Aesthetic Solidarity with Latin America

Women Writing War

From German Colonialism through World War I

Robert Schumann and Richard Wagner as Music Critics