IMAGINES – Classical Receptions in the Visual and Performing Arts – serie

Homeric Catalogue of Shapes

The Iliad and Odyssey Seen Differently

Orientalism and the Reception of Powerful Women from the Ancient World

Classical Antiquity in Video Games

Playing with the Ancient World

Classical Antiquity in Heavy Metal Music

Ancient Violence in the Modern Imagination

The Fear and the Fury

Ancient Mediterranean Sea in Modern Visual and Performing Arts

Sailing in Troubled Waters

Art Nouveau and the Classical Tradition

Geographies of Myth and Places of Identity

The Strait of Scylla and Charybdis in the Modern Imagination

Screening Love and War in Troy: Fall of a City

Ancient Greece and Rome in Videogames

Representation, Play, Transmedia

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Smells and Senses of Antiquity in the Modern Imagination

Classical Antiquity in Heavy Metal Music

Orientalism and the Reception of Powerful Women from the Ancient World

Classical Antiquity in Video Games

Playing with the Ancient World

Ancient Greece and Rome in Videogames

Representation, Play, Transmedia

Representations of Classical Greece in Theme Parks

Homeric Catalogue of Shapes

The Iliad and Odyssey Seen Differently

Geographies of Myth and Places of Identity

The Strait of Scylla and Charybdis in the Modern Imagination

Ancient Violence in the Modern Imagination

The Fear and the Fury

Women in Classical Video Games

Women in Classical Video Games

Smells and Senses of Antiquity in the Modern Imagination

Screening Love and War in Troy: Fall of a City

Pompeii in the Visual and Performing Arts

Its Reception in Spain and Latin America

Pompeii in the Visual and Performing Arts

Its Reception in Spain and Latin America

Classical Receptions and Impact of Xena

Warrior Princess

Classical Receptions and Impact of Xena

Warrior Princess

Reception of Cleopatra in the Age of Mass Media