Cultural Frames, Framing Culture – serie

Golden Avant-garde

Idolatry, Commercialism and Art

Golden Avant-garde

Idolatry, Commercialism and Art

Kodak and the Lens of Nostalgia

Writing War in the Twentieth Century

Visions of the Maid

Joan of Arc in American Film and Culture

Against the Unspeakable

Complicity, the Holocaust, and Slavery in America

African Americans and the Culture of Pain

Male Armor

The Soldier-hero in Contemporary American Culture

Male Armor

The Soldier-hero in Contemporary American Culture

American Iconographic

National Geographic, Global Culture, and the Visual Imagination

Chick Lit and Postfeminism

Composing Cultures

Modernism, American Literary Studies and the Problem of Culture

Failed Frontiersmen

White Men and Myth in the Post-Sixties American Historical Romance

American Road Narratives

Reimagining Mobility in Literature and Film

Fashion and Fiction

Self-Transformation in Twentieth-Century American Literature

Stranger America

A Narrative Ethics of Exclusion

Stranger America

A Narrative Ethics of Exclusion

Women Writers of the Beat Era

Autobiograhy and Intertextuality

Terrible Beauty

The Violent Aesthetic and Twentieth-Century Literature

Terrible Beauty

The Violent Aesthetic and Twentieth-Century Literature

Dandyism

Forming Fiction from Modernism to the Present

Dandyism

Forming Fiction from Modernism to the Present

Fashioning Character

Style, Performance, and Identity in Contemporary American Literature

Fashioning Character

Style, Performance, and Identity in Contemporary American Literature

Walk the Barrio

The Streets of Twenty-First-Century Transnational Latinx Literature

Walk the Barrio

The Streets of Twenty-First-Century Transnational Latinx Literature

Story Revolutions

Collective Narratives from the Enlightenment to the Digital Age

Story Revolutions

Collective Narratives from the Enlightenment to the Digital Age

Institutional Character

Collectivity, Individuality, and the Modernist Novel