Film Europa – serie

Screening the East

Heimat, Memory and Nostalgia in German Film Since 1989

Béla Balázs: Early Film Theory

Visible Man and The Spirit of Film

Peter Lorre: Face Maker

Constructing Stardom and Performance in Hollywood and Europe

Dismantling the Dream Factory

Gender, German Cinema, and the Postwar Quest for a New Film Language

Willing Seduction

<I>The Blue Angel</I>, Marlene Dietrich, and Mass Culture

Turkish German Cinema in the New Millennium

Sites, Sounds, and Screens

Destination London

German-Speaking Emigrés and British Cinema, 1925-1950

Homemade Men in Postwar Austrian Cinema

Nationhood, Genre and Masculinity

Postwall German Cinema

History, Film History and Cinephilia

International Adventures

German Popular Cinema and European Co-Productions in the 1960s

International Adventures

German Popular Cinema and European Co-Productions in the 1960s

Concise Cinegraph

Encyclopaedia of German Cinema

Screening the East

Heimat, Memory and Nostalgia in German Film since 1989

Emergence of Film Culture

Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945

Turkish German Cinema in the New Millennium

Sites, Sounds, and Screens

Imperial Projections

Screening the German Colonies

Postwall German Cinema

History, Film History and Cinephilia

Cinema in Service of the State

Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960

Peter Lorre: Face Maker

Constructing Stardom and Performance in Hollywood and Europe

German Television

Historical and Theoretical Perspectives

Emergence of Film Culture

Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945

Imperial Projections

Screening the German Colonies

Cinema in Service of the State

Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960

German Television

Historical and Theoretical Perspectives

Screening Art

Modernist Aesthetics and the Socialist Imaginary in East German Cinema

Cinema of Collaboration

DEFA Coproductions and International Exchange in Cold War Europe

Sensitive Subjects

The Political Aesthetics of Contemporary German and Austrian Cinema

East German Film and the Holocaust

Rethinking Jewishness in Weimar Cinema