Film and Media Studies – serie

Reverse Shots

Indigenous Film and Media in an International Context

Programming Reality

Perspectives on English-Canadian Television

He Was Some Kind of a Man

Masculinities in the B Western

Gendered Screen

Canadian Women Filmmakers

Cinema and Social Change in Germany and Austria

Feeling Canadian

Television, Nationalism, and Affect

Beyond Bylines

Media Workers and Women's Rights in Canada

Canadian Television

Text and Context

Image and Identity

Reflections on Canadian Film and Culture

Radio Eye

Cinema in the North Atlantic, 1958-1988

DADA, Surrealism, and the Cinematic Effect

Legacies of Jean-Luc Godard

Detecting Canada

Essays on Canadian Crime Fiction, Television, and Film

Two Bicycles

The Work of Jean-Luc Godard and Anne-Marie Miéville

Dziga Vertov

Life and Work (Volume 1: 1896–1921)

Contemporary Russian Cinema Reader

2005-2016

Contemporary Russian Cinema Reader

2005-2016

Dziga Vertov

Life and Work (Volume 1: 1896–1921)

She Animates

Soviet Female Subjectivity in Russian Animation

She Animates

Soviet Female Subjectivity in Russian Animation

Cinemasaurus

Russian Film in Contemporary Context

Cinemasaurus

Russian Film in Contemporary Context

Russian TV Series in the Era of Transition

Genres, Technologies, Identities

Russian TV Series in the Era of Transition

Genres, Technologies, Identities

Making Feminist Media

Third-Wave Magazines on the Cusp of the Digital Age

Music in Range

The Culture of Canadian Campus Radio

Dada, Surrealism, and the Cinematic Effect

Cubism and Futurism

Spiritual Machines and the Cinematic Effect

Stan Brakhage in Rolling Stock, 1980-1990