Film and Culture Series – serie

Use and Abuse of Cinema

German Legacies from the Weimar Era to the Present

Use and Abuse of Cinema

German Legacies from the Weimar Era to the Present

Sexual Politics and Narrative Film

Hollywood and Beyond

Primitive Passions

Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

Primitive Passions

Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

What Made Pistachio Nuts?

Early Sound Comedy and the Vaudeville Aesthetic

Deviant Eyes, Deviant Bodies

Sexual Re-Orientation in Film and Video

Laughing Hysterically

American Screen Comedy of the 1950s

Black Women as Cultural Readers

Cinema of Max Ophuls

Magisterial Vision and the Figure of Woman

Picturing Japaneseness

Monumental Style, National Identity, Japanese Film

Brazilian Cinema

This Mad Masquerade

Stardom and Masculinity in the Jazz Age

Sounds of Commerce

Marketing Popular Film Music

Orson Welles, Shakespeare, and Popular Culture

Masculine Interests

Homoerotics in Hollywood Film

Masculine Interests

Homoerotics in Hollywood Film

Melodrama and Modernity

Early Sensational Cinema and Its Contexts

Sound Technology and the American Cinema

Perception, Representation, Modernity

Projections of War

Hollywood, American Culture, and World War II

Hearst Over Hollywood

Power, Passion, and Propaganda in the Movies

Silent Film Sound

Silent Film Sound

Wondrous Difference

Cinema, Anthropology, and Turn-of-the-Century Visual Culture

Wondrous Difference

Cinema, Anthropology, and Turn-of-the-Century Visual Culture

George Gallup in Hollywood

Designing Women

Cinema, Art Deco, and the Female Form

Special Effects

Still in Search of Wonder

Taiwan Film Directors

A Treasure Island