Edinburgh Studies in East Asian Film – serie

Memory, Subjectivity and Independent Chinese Cinema

Independent Chinese Documentary

Alternative Visions, Alternative Publics

Cinema of Ozu Yasujiro

Histories of the Everyday

'My' Self on Camera

First Person Documentary Practice in an Individualising China

Cinema of Kinoshita Keisuke

Films of Joy and Sorrow

Cinema of Kinoshita Keisuke

Films of Joy and Sorrow

Taiwanese-Language Cinema

Rediscovered and Reconsidered

Taiwanese-Language Cinema

Rediscovered and Reconsidered

East Asian Auteurism, Cinephilia and the Media Platform Era

Film Authorship Rethought

East Asian Auteurism, Cinephilia and the Media Platform Era

Film Authorship Rethought

East Asian Ecocinema

Between Nation and Planet

Affect and History in Sinophone Cinema

Feeling the Past

Independent Chinese Documentary

Alternative Visions, Alternative Publics

Memory, Subjectivity and Independent Chinese Cinema

Fragments of a Unified Nation

Spatial Narratives in Contemporary Chinese Cinema

Tanaka Kinuyo

Nation, Stardom and Female Subjectivity

Killers, Clients and Kindred Spirits

The Taboo Cinema of Shohei Imamura

Hong Kong Neo-Noir

Moving Figures

Class and Feeling in the Films of Jia Zhangke

Eclipsed Cinema

The Film Culture of Colonial Korea

Worldly Desires

Cosmopolitanism and Cinema in Hong Kong and Taiwan

Worldly Desires

Cosmopolitanism and Cinema in Hong Kong and Taiwan

Tanaka Kinuyo

Nation, Stardom and Female Subjectivity

Hong Kong Neo-Noir

Eclipsed Cinema

The Film Culture of Colonial Korea

Cinema of Ozu Yasujiro

Histories of the Everyday

Moving Figures

Class and Feeling in the Films of Jia Zhangke

Sino-Enchantment

The Fantastic in Contemporary Chinese Cinemas

Sino-Enchantment

The Fantastic in Contemporary Chinese Cinemas