Eastman/Rochester Studies in Ethnomusicology – serie

Javanese Gamelan and the West

Burma's Pop Music Industry

Creators, Distributors, Censors

Yorùbá Music in the Twentieth Century

Identity, Agency, and Performance Practice

Javanese Gamelan and the West

Performing Gender, Place, and Emotion in Music

Global Perspectives

Gender in Chinese Music

Music, Indigeneity, Digital Media

New York Klezmer in the Early Twentieth Century

The Music of Naftule Brandwein and Dave Tarras

Tuning the Kingdom

Kawuugulu Musical Performance, Politics, and Storytelling in Buganda

Listen with the Ear of the Heart

Music and Monastery Life at Weston Priory

Listen with the Ear of the Heart

Music and Monastery Life at Weston Priory

Songs for Cabo Verde

Norberto Tavares's Musical Visions for a New Republic

Kecak and Cultural Tourism on Bali

Performing Arts and Gender in Postcolonial Western Uganda

Walking with Asafo in Ghana

An Ethnographic Account of Kormantse Bentsir Warrior Music

Interpreting Court Song in Uganda

Musical Meaning, Power Relations, and Political Life

intimate entanglements in the ethnography of performance

race, gender, vulnerability

intimate entanglements in the ethnography of performance

race, gender, vulnerability

Performing Arts and Gender in Postcolonial Western Uganda

Faith by Aurality in China’s Ethnic Borderland

Media, Mobility, and Christianity at the Margins