Eastern European Studies in Musicology – serie

Marcin Mielczewski and Music under the Patronage of the Polish Vasas

Translated by John Comber

Musical Rhetoric of the Polish Baroque

The Musical Rhetoric of the Polish Baroque

Musical Modernism in the Twentieth Century

Translated by Wojciech Bońkowski

Musical Culture of Silesia before 1742

New Contexts – New Perspectives

Musical Romania and the Neighbouring Cultures

Traditions – Influences – Identities- Proceedings of the International Musicological Conference- July 4–7 2013, Iaşi (Romania)

Between Romanticism and Modernism

Ignacy Jan Paderewski’s Compositional Œuvre

On the Music Front. Socialist-Realist Discourse on Music in Poland, 1948 to 1955

Musical Identities and European Perspective

An Interdisciplinary Approach

Musical Culture of the Jesuits in Silesia and the Kłodzko County (1581–1776)

Carillons and Carillon Music in Old Gdańsk

Musical Culture of Polish Benedictine Nuns in the 17th and 18th Centuries

Kolbergs of Eastern Europe

Sounds of War and Peace

Soundscapes of European Cities in 1945

Nationalism, Chauvinism and Racism as Reflected in European Musical Thought and in Compositions from the Interwar Period

Time in Music and Culture

Nineteenth-Century Transcriptions of Works by Fryderyk Chopin

Tadeusz Baird. The Composer, His Work, and Its Reception

Beginnings of Polish Musicology

Stravinsky

His Thoughts and Music

Venetian Instrumental Concerto During Vivaldi’s Time

Festa and Music at the Court of Marie Casimire Sobieska in Rome (1699–1714)

Beauty in Music

Conflicting Views in the Modern Age

‟New Romanticism” in the Works of Polish Composers After 1975

Musical Humor and Antonín Dvořák’s Comic Operas

Sounds of Apocalypse

Music in Poland under German Occupation

Sound Representations of Memory