Cultural Studies of the United States – serie

Beloved Community

The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Lewis Mumford

American Photography and the American Dream

Horrible Prettiness

Burlesque and American Culture

Contested Culture

The Image, the Voice, and the Law

Early Downhome Blues

A Musical and Cultural Analysis

Staging Depth

Eugene O'neill and the Politics of Psychological Discourse

Pragmatism and the Political Economy of Cultural Evolution

Measure of Perfection

Phrenology and the Fine Arts in America

Reading Football

How the Popular Press Created an American Spectacle

Landscapes of the New West

Gender and Geography in Contemporary Women's Writing

American Alchemy

The California Gold Rush and Middle-Class Culture

Slippery Characters

Ethnic Impersonators and American Identities

Romancing the Folk

Public Memory and American Roots Music

Race of Singers

Whitman's Working-Class Hero from Guthrie to Springsteen

Tender Violence

Domestic Visions in an Age of U.S. Imperialism

Nature's State

Imagining Alaska As the Last Frontier

Making Something Happen

American Political Poetry Between the World Wars

Modern Bodies

Dance and American Modernism from Martha Graham to Alvin Ailey

Dictators, Democracy, and American Public Culture

Envisioning the Totalitarian Enemy, 1920s-1950s

America's Culture of Terrorism

Violence, Capitalism, and the Written Word

John Brown's Body

Slavery, Violence, and the Culture of War

Panic!

Markets, Crises, and Crowds in American Fiction

Genteel Tradition and the Sacred Rage

High Culture Vs. Democracy in Adams, James, and Santayana

Our Daily Bread

Wages, Workers, and the Political Economy of the American West

Sensational Modernism

Experimental Fiction and Photography in Thirties America