SUNY series, Cultural Studies in Cinema/Video – serie

Second Century of Cinema

The Past and Future of the Moving Image

PostNegritude Visual and Literary Culture

Exploding Eye

A Re-Visionary History of 1960s American Experimental Cinema

Exploding Eye

A Re-Visionary History of 1960s American Experimental Cinema

Redirecting the Gaze

Gender, Theory, and Cinema in the Third World

Film Genre 2000

New Critical Essays

Film Production Theory

Ladies and Gentlemen, Boys and Girls

Gender in Film at the End of the Twentieth Century

Shakespeare in the Cinema

Ocular Proof

Dead Ringers

The Remake in Theory and Practice

Straight

Constructions of Heterosexuality in the Cinema

Bad

Infamy, Darkness, Evil, and Slime on Screen

Irish and African American Cinema

Identifying Others and Performing Identities, 1980-2000

Digital Diaspora

A Race for Cyberspace

Digital Diaspora

A Race for Cyberspace

Films of Jean-Luc Godard

Films of Jean-Luc Godard

Phantom of the Cinema

Character in Modern Film

Living Pictures

The Origins of the Movies

Living Pictures

The Origins of the Movies

Folklore of Consensus

Theatricality in the Italian Cinema, 1930-1943

Captive Bodies

Postcolonial Subjectivity in Cinema

Films of Fred Zinnemann

Critical Perspectives

Films of Fred Zinnemann

Critical Perspectives

Cinema of Tony Richardson

Essays and Interviews

Film Genre 2000

New Critical Essays

Structures of Desire

British Cinema, 1939-1955

Structures of Desire

British Cinema, 1939-1955

Split Screen

Belgian Cinema and Cultural Identity