Cultural Interactions: Studies in the Relationship between the Arts – serie

Roman Shakespeare

Intersecting Times, Spaces, Languages

Dancing with Time

The Garden as Art

Pre-Raphaelites in the Spirit World

The Séance Diary of William Michael Rossetti

Water and Women in the Victorian Imagination

Mediality of Smells / Médialité des odeurs

Pre-Raphaelite Sisters

Art, Poetry and Female Agency in Victorian Britain

Victorian Love Letters in Literature and Art

Where Love Happens

Changing Social Practices of Love in the Long Nineteenth Century

William Morris in the Twenty-First Century

Collecting and Appreciating

Henry James and the Transformation of Aesthetics in the Age of Consumption

Pierre Klossowski

The Pantomime of Spirits

Visuality and Spatiality in Virginia Woolf’s Fiction

"The Germ"

Origins and Progenies of Pre-Raphaelite Interart Aesthetics

Poetics of Sight

Contemplations of the Spiritual in Art

Genteel Mavericks

Professional Women Sculptors in Victorian Britain

Roger Fry’s ‘Difficult and Uncertain Science’

The Interpretation of Aesthetic Perception

Performativity in the Gallery

Staging Interactive Encounters

Immaterial Culture

Literature, Drama and the American Radio Play, 1929–1954

Networks of Stone

Sculpture and Society in Archaic and Classical Athens

Behind the Image

Understanding the Old Testament in Medieval Art

Sleeping Beauties in Victorian Britain

Cultural, Literary and Artistic Explorations of a Myth

Will the Modernist

Shakespeare and the European Historical Avant-Gardes

Spatial Perspectives

Essays on Literature and Architecture

Paradigm Case

The Cinema of Hitchcock and the Contemporary Visual Arts

InHabit

People, Places and Possessions

Showcase Britain

Britain at the Vienna World Exhibition 1873

Colours of the Past in Victorian England

Natasha's Dress

Language of Literature, Language of Fashion