Contextualizing Art Markets – serie

Ellen Emmet Rand

Gender, Art, and Business

Women, Art and Money in Late Victorian and Edwardian England

The Hustle and the Scramble

Reframing Japonisme

Women and the Asian Art Market in Nineteenth-Century France, 1853–1914

Pioneers of the Global Art Market

Paris-Based Dealer Networks, 1850-1950

Old Masters Worldwide

Markets, Movements and Museums, 1789–1939

Women Art Dealers

Creating Markets for Modern Art, 1940–1990

Women Art Dealers

Creating Markets for Modern Art, 1940–1990

Social World of Galleries

Contemporary Art, the Market and Internationalization

Social World of Galleries

Contemporary Art, the Market and Internationalization

Valentine Gallery

The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926–1947)

Art Market and the Museum

Institutional Collecting, Display and Patronage since the Mid-Nineteenth Century

Art Market and the Museum

Institutional Collecting, Display and Patronage since the Mid-Nineteenth Century

Théodore Rousseau and the Rise of the Modern Art Market

An Avant-Garde Landscape Painter in Nineteenth-Century France

Lillie P. Bliss

Collector, Advocate, and Visionary Benefactor of the Museum of Modern Art

Lillie P. Bliss

Collector, Advocate, and Visionary Benefactor of the Museum of Modern Art

Jewish Dealers and the European Art Market, c. 1860–1940

Negotiating Cultural Modernity

Jewish Dealers and the European Art Market, c. 1860–1940

Negotiating Cultural Modernity

Private Museum of Contemporary Art

Cultural Capital and the Reshaping of Heritage

Ethnographic Collecting and African Agency in Early Colonial West Africa

A Study of Trans-Imperial Cultural Flows

Collecting Prints, Posters, and Ephemera

Perspectives in a Global World

Women, Art and Money in Late Victorian and Edwardian England

The Hustle and the Scramble

Théodore Rousseau and the Rise of the Modern Art Market

An Avant-Garde Landscape Painter in Nineteenth-Century France

Old Masters Worldwide

New York Market for French Art in the Gilded Age, 1867–1893

Corporate Patronage of Art and Architecture in the United States, Late 19th Century to the Present

Ethnographic Collecting and African Agency in Early Colonial West Africa

A Study of Trans-Imperial Cultural Flows

Collecting Prints, Posters, and Ephemera

Perspectives in a Global World

New York Market for French Art in the Gilded Age, 1867–1893