Semiotics, Communication and Cognition [SCC] – serie

Signs, Meaning and Experience

Integrational Approaches to Linguistics and Semiotics

Heroizability

An Anthroposemiotic Theory of Literary Characters

Thinking with Diagrams

The Semiotic Basis of Human Cognition

Living by Models

An Interdisciplinary Study in Modeling Systems Theory

Semiotics and its Masters

Volume 1

Intersection of Semiotics and Phenomenology

Peirce and Heidegger in Dialogue

Umberto Eco in His Own Words

Wittgenstein in Translation

Exploring Semiotic Signatures

Semiotics of Classical Music

How Mozart, Brahms and Wagner Talk to Us

Semiotics and Documentary Film

The Living Sign in the Cinema

Sign Studies and Semioethics

Communication, Translation and Values

Structure and the Whole

East, West and Non-Darwinian Biology in the Origins of Structural Linguistics

Charles Sanders Peirce in His Own Words

100 Years of Semiotics, Communication and Cognition

Purely Objective Reality

Purely Objective Reality

Semiotics at the Circus

Semiotics at the Circus

Culture and Explosion

Culture and Explosion

Signifying and Understanding

Reading the Works of Victoria Welby and the Signific Movement

Entangling Forms

Within Semiosic Processes

Linguistic Supertypes

A Cognitive-Semiotic Theory of Human Communication

Linguistic Supertypes

A Cognitive-Semiotic Theory of Human Communication

Semiotics Continues to Astonish

Thomas A. Sebeok and the Doctrine of Signs

Readings in Zoosemiotics

Readings in Zoosemiotics

Charles S. Peirce. Selected Writings on Semiotics, 1894–1912

Meanings of the Built Environment

A Semiotic and Geographical Approach to Monuments in the Post-Soviet Era

Semiotics and City Poetics

Jakobson’s Theory and Praxis