Classical Presences – serie

Classical Traditions in Science Fiction

Son of Classics and Comics

Son of Classics and Comics

Piranesi's Candelabra and the Presence of the Past

Excessive Objects and the Emergence of a Style in the Age of Neoclassicism

Restorations of Empire in Africa

Ancient Rome and Modern Italy's African Colonies

Black Cicero

W. E. B. Du Bois and the Ancient Romans in the Nineteenth and Twentieth Centuries

Apuleius in European Literature

Cupid and Psyche since 1650

Fragmentary Modernism

The Classical Fragment in Literary and Visual Cultures, c.1896 - c.1936

Homer in Wittenberg

Rhetoric, Scholarship, Prayer

Aristophanes in Britain

Old Comedy in the Nineteenth Century

Susan Sontag's Tangential Classics

The Living Death of Antiquity

Neoclassical Aesthetics

Ovid in French

Reception by Women from the Renaissance to the Present

Antígonas

Writing from Latin America

Minos and the Moderns

Cretan Myth in Twentieth-Century Literature and Art

Romantic Antiquity

Rome in the British Imagination, 1789-1832

Newly Recovered English Classical Translations, 1600-1800

Conversing with Antiquity

English Poets and the Classics, from Shakespeare to Pope

Antiquity, Theatre, and the Painting of Henry Fuseli

Lucretius and the Early Modern

Milton and the Metamorphosis of Ovid

Stage of Emergency

Theater and Public Performance under the Greek Military Dictatorship of 1967-1974

Pater the Classicist

Classical Scholarship, Reception, and Aestheticism

Women Classical Scholars

Unsealing the Fountain from the Renaissance to Jacqueline de Romilly

Tragedy and the Idea of Modernity

The Protean Virgil

Material Form and the Reception of the Classics

The Senecan Aesthetic

A Performance History

Robert Graves and the Classical Tradition

A Cockney Catullus

The Reception of Catullus in Romantic Britain, 1795-1821