Chicago Studies in Ethnomusicology CSE – serie

Music as Social Life

The Politics of Participation

Theory of African Music, Volume I

Performing the Nation

Swahili Music and Cultural Politics in Tanzania

Day for the Hunter, a Day for the Prey

Popular Music and Power in Haiti

Thinking in Jazz

The Infinite Art of Improvisation

Awakening Spaces

French Caribbean Popular Songs, Music, and Culture

Awakening Spaces

French Caribbean Popular Songs, Music, and Culture

Knowing Music, Making Music

Javanese Gamelan and the Theory of Musical Competence and Interaction

Performing Democracy

Bulgarian Music and Musicians in Transition

Composing Japanese Musical Modernity

Music, Culture, and Experience

Selected Papers of John Blacking

Music, Culture, and Experience

Selected Papers of John Blacking

Mande Music

Traditional and Modern Music of the Maninka and Mandinka of Western Africa

Palestinian Arab Music

A Maqam Tradition in Practice

In the Time of Cannibals

The Word Music of South Africa's Basotho Migrants

"The Voice of Egypt"

Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century

African Stars

Studies in Black South African Performance

Jazz Worlds/World Jazz

Dancing Prophets

Musical Experience in Tumbuka Healing

Remains of Ritual

Northern Gods in a Southern Land

Remains of Ritual

Northern Gods in a Southern Land

Fiddling for Norway

Revival and Identity

Governing Sound

The Cultural Politics of Trinidad's Carnival Musics

Lost Paradise

Andalusi Music in Urban North Africa

SamulNori

Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture

Kwaito's Promise

Music and the Aesthetics of Freedom in South Africa

Tango Machine

Musical Culture in the Age of Expediency

Tango Machine

Musical Culture in the Age of Expediency

Stambeli

Music, Trance, and Alterity in Tunisia