Caribbean Studies Series – serie

Chocolate Surrealism

Music, Movement, Memory, and History in the Circum-Caribbean

What She Go Do

Women in Afro-Trinidadian Music

Grenada Revolution

Reflections and Lessons

Black Carib Wars

Freedom, Survival, and the Making of the Garifuna

Musical Life in Guyana

History and Politics of Controlling Creativity

Island at War

Puerto Rico in the Crucible of the Second World War

Connecting Histories

Francophone Caribbean Writers Interrogating Their Past

Direct Democracy

Collective Power, the Swarm, and the Literatures of the Americas

Steelpan Ambassadors

The US Navy Steel Band, 1957-1999

Riding with Death

Vodou Art and Urban Ecology in the Streets of Port-au-Prince

Beyond Windrush

Rethinking Postwar Anglophone Caribbean Literature

City of Islands

Caribbean Intellectuals in New York

Geographies of Cubanidad

Place, Race, and Musical Performance in Contemporary Cuba

Resisting Paradise

Tourism, Diaspora, and Sexuality in Caribbean Culture

Indian Caribbean

Migration and Identity in the Diaspora

Mulata Nation

Visualizing Race and Gender in Cuba

Surinamese Music in the Netherlands and Suriname

Caribbean Masala

Indian Identity in Guyana and Trinidad

Riding with Death

Vodou Art and Urban Ecology in the Streets of Port-au-Prince

Music of the Netherlands Antilles

Why Eleven Antilleans Knelt Before Chopin's Heart

In the Forests of Freedom

The Fighting Maroons of Dominica

In the Forests of Freedom

The Fighting Maroons of Dominica

Direct Democracy

Collective Power, the Swarm, and the Literatures of the Americas

What She Go Do

Women in Afro-Trinidadian Music

Indian Caribbean

Migration and Identity in the Diaspora

Cuban Literature in the Age of Black Insurrection

Manzano, Plácido, and Afro-Latino Religion

Cuban Literature in the Age of Black Insurrection

Manzano, Plácido, and Afro-Latino Religion

Carnival Is Woman

Feminism and Performance in Caribbean Mas

Carnival Is Woman

Feminism and Performance in Caribbean Mas