Cambridge Studies in Opera – serie

Opera Buffa in Mozart's Vienna

Johann Strauss and Vienna

Operetta and the Politics of Popular Culture

German Opera

From the Beginnings to Wagner

Opera and Drama in Eighteenth-Century London

The King's Theatre, Garrick and the Business of Performance

Opera, Liberalism, and Antisemitism in Nineteenth-Century France

The Politics of Halévy's La Juive

Three Modes of Perception in Mozart

The Philosophical, Pastoral, and Comic in Cosí fan tutte

Aesthetics of Opera in the Ancien Régime, 1647-1785

The Puccini Problem

Opera, Nationalism, and Modernity

Landscape and Gender in Italian Opera

The Alpine Virgin from Bellini to Puccini

Opera in the Novel from Balzac to Proust

The Prima Donna and Opera, 1815-1930

Opera and Society in Italy and France from Monteverdi to Bourdieu

Rossini in Restoration Paris

The Sound of Modern Life

Technology and the Diva

Sopranos, Opera, and Media from Romanticism to the Digital Age

Situating Opera

Period, Genre, Reception

German Opera

From the Beginnings to Wagner

Rounding Wagner's Mountain

Richard Strauss and Modern German Opera

Wagner's Ring Cycle and the Greeks

Opera Buffa in Mozart's Vienna

Sentimental Opera

Questions of Genre in the Age of Bourgeois Drama

Opera, Liberalism, and Antisemitism in Nineteenth-Century France

The Politics of Halévy's La Juive

Johann Strauss and Vienna

Operetta and the Politics of Popular Culture

Opera and Drama in Eighteenth-Century London

The King's Theatre, Garrick and the Business of Performance

Aesthetics of Opera in the Ancien Régime, 1647-1785

Landscape and Gender in Italian Opera

The Alpine Virgin from Bellini to Puccini

Three Modes of Perception in Mozart

The Philosophical, Pastoral, and Comic in Cosí fan tutte

The Prima Donna and Opera, 1815-1930

Opera and Society in Italy and France from Monteverdi to Bourdieu

The Puccini Problem

Opera, Nationalism, and Modernity