Cambridge Studies in Nineteenth-Century Literature and Culture – serie

The Gothic Body

Sexuality, Materialism, and Degeneration at the Fin de Siècle

Rereading Walter Pater

Professional Domesticity in the Victorian Novel

Women, Work and Home

Victorian Renovations of the Novel

Narrative Annexes and the Boundaries of Representation

Disease, Desire, and the Body in Victorian Women's Popular Novels

Physiognomy and the Meaning of Expression in Nineteenth-Century Culture

Literature, Technology and Magical Thinking, 1880-1920

Literary Culture and the Pacific

Nineteenth-Century Textual Encounters

Ancestry and Narrative in Nineteenth-Century British Literature

Blood Relations from Edgeworth to Hardy

Aestheticism and Sexual Parody 1840-1940

Realism, Representation, and the Arts in Nineteenth-Century Literature

Fairies in Nineteenth-Century Art and Literature

Victorian Literature and the Anorexic Body

Testimony and Advocacy in Victorian Law, Literature, and Theology

Ruskin's God

Dickens, Novel Reading, and the Victorian Popular Theatre

Muscular Christianity

Embodying the Victorian Age

Actresses on the Victorian Stage

Feminine Performance and the Galatea Myth

George Eliot and the British Empire

The Victorian Parlour

A Cultural Study

Victorian Writing about Risk

Imagining a Safe England in a Dangerous World

After Dickens

Reading, Adaptation and Performance

Death and the Mother from Dickens to Freud

Victorian Fiction and the Anxiety of Origins

Fiction, Famine, and the Rise of Economics in Victorian Britain and Ireland

The Sickroom in Victorian Fiction

The Art of Being Ill

Eavesdropping in the Novel from Austen to Proust

Dickens and the Daughter of the House

From Dickens to Dracula

Gothic, Economics, and Victorian Fiction

Missionary Writing and Empire, 1800-1860