Cambridge Studies in Medieval Literature – serie

The Medieval Manuscript Book

Cultural Approaches

Dreaming in the Middle Ages

Chaucer's Legendary Good Women

Sciences and the Self in Medieval Poetry

Alan of Lille's Anticlaudianus and John Gower's Confessio Amantis

Arthurian Narrative in the Latin Tradition

Dante and the Mystical Tradition

Bernard of Clairvaux in the Commedia

Lies, Slander and Obscenity in Medieval English Literature

Pastoral Rhetoric and the Deviant Speaker

The Making of Chaucer's English

A Study of Words

Pedagogy, Intellectuals, and Dissent in the Later Middle Ages

Lollardy and Ideas of Learning

Clerical Discourse and Lay Audience in Late Medieval England

Ideas and Forms of Tragedy from Aristotle to the Middle Ages

Editing Piers Plowman

The Evolution of the Text

Texts and the Self in the Twelfth Century

Women, Reading, and Piety in Late Medieval England

Literacy in Medieval Celtic Societies

The Evolution of Arthurian Romance

The Verse Tradition from Chrétien to Froissart

Fictions of Identity in Medieval France

The Early History of Greed

The Sin of Avarice in Early Medieval Thought and Literature

Virgil in Medieval England

Figuring The Aeneid from the Twelfth Century to Chaucer

'Floire and Blancheflor' and the European Romance

Vernacular Literary Theory in the Middle Ages

The German Tradition, 800-1300, in its European Context

The Making of Textual Culture

'Grammatica' and Literary Theory 350-1100

Medieval Dutch Literature in its European Context

Richard Rolle and the Invention of Authority

Dante and the Medieval Other World

The Romance of the Rose and its Medieval Readers

Interpretation, Reception, Manuscript Transmission

Reformist Apocalypticism and Piers Plowman

Narrative, Authority and Power

The Medieval Exemplum and the Chaucerian Tradition

Piers Plowman and the New Anticlericalism