Cambridge Studies in American Theatre and Drama – serie

The Revisionist Stage

American Directors Reinvent the Classics

American Drama

The Bastard Art

Theatre Culture in America, 1825-1860

The American Stage and the Great Depression

A Cultural History of the Grotesque

The Theatre in America during the Revolution

Performing the American Frontier, 1870-1906

Early American Theatre from the Revolution to Thomas Jefferson

Into the Hands of the People

The New York Concert Saloon

The Devil's Own Nights

Theatre, Society and the Nation

Staging American Identities

Drama, Theatre, and Identity in the American New Republic

Theatre, Culture and Temperance Reform in Nineteenth-Century America

The Federal Theatre Project

A Case Study

Sisters in Sin

Brothel Drama in America, 1900-1920

Censorship of the American Theatre in the Twentieth Century

Expressionism and Modernism in the American Theatre

Bodies, Voices, Words

The Provincetown Players and the Culture of Modernity

Remaking American Theater

Charles Mee, Anne Bogart and the SITI Company

African American Theatre

An Historical and Critical Analysis

The Theatre in America during the Revolution

Demons of Disorder

Early Blackface Minstrels and their World

The American Stage and the Great Depression

A Cultural History of the Grotesque

Theatre Culture in America, 1825-1860

Demons of Disorder

Early Blackface Minstrels and their World

The Theatre of Sam Shepard

States of Crisis

John Barrymore, Shakespearean Actor

David Mamet and American Macho

A History of African American Theatre

John Barrymore, Shakespearean Actor

Congressional Theatre

Dramatizing McCarthyism on Stage, Film, and Television