California Studies in 20th-Century Music – serie

Revealing Masks

Exotic Influences and Ritualized Performance in Modernist Music Theater

Russian Opera and the Symbolist Movement

Bartok, Hungary, and the Renewal of Tradition

Case Studies in the Intersection of Modernity and Nationality

New Music, New Allies

American Experimental Music in West Germany from the Zero Hour to Reunification

Music Divided

Bartók’s Legacy in Cold War Culture

Jewish Identities

Nationalism, Racism, and Utopianism in Twentieth-Century Music

German Modernism

Music and the Arts

Brecht at the Opera

Classic Chic

Music, Fashion, and Modernism

Beautiful Monsters

Imagining the Classic in Musical Media

In Search of a Concrete Music

In Search of a Concrete Music

Frontier Figures

American Music and the Mythology of the American West

Frontier Figures

American Music and the Mythology of the American West

Experimentalism Otherwise

The New York Avant-Garde and Its Limits

Experimentalism Otherwise

The New York Avant-Garde and Its Limits

Music and Politics in San Francisco

From the 1906 Quake to the Second World War

Music and the Elusive Revolution

Cultural Politics and Political Culture in France, 1968–1981

Musical Legacy of Wartime France

Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe

Music in America's Cold War Diplomacy

Nostalgia for the Future

Luigi Nono's Selected Writings and Interviews

Nostalgia for the Future

Luigi Nono's Selected Writings and Interviews

Making New Music in Cold War Poland

The Warsaw Autumn Festival, 1956-1968

Treatise on Musical Objects

An Essay across Disciplines

Treatise on Musical Objects

An Essay across Disciplines

Doctor Faustus Dossier

Arnold Schoenberg, Thomas Mann, and Their Contemporaries, 1930-1951

Doctor Faustus Dossier

Arnold Schoenberg, Thomas Mann, and Their Contemporaries, 1930-1951

Middlebrow Modernism

Britten’s Operas and the Great Divide