Anthem Studies in Theatre and Performance – serie

Molière on Stage

What’s So Funny?

Molière on Stage

What’s So Funny?

Post-traumatic Theatre of Grotowski and Kantor

History and Holocaust in ‘Akropolis’ and ‘Dead Class’

Stages of Life

Indian Theatre Autobiographies

On Beckett

Essays and Criticism

Stages of Life

Indian Theatre Autobiographies

Modern European Tragedy

Exploring Crucial Plays

On Beckett

Essays and Criticism

Globalization, Nationalism and the Text of ‘Kichaka-Vadha’

The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India

Sites of Performance

Of Time and Memory

Modern European Tragedy

Exploring Crucial Plays

Staging Memory and Materiality in Eighteenth-Century Theatrical Biography

Dialogues on Beckett

Whatever Happened to God?

Art and Theatre as a Community of Practice in Eighteenth-Century France

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater

Dancing Body in Renaissance Choreography

Kinetic Theatricality and Social Interaction

Kunqu Masters on Chinese Theatrical Performance

Dreams and Dialogues in Dylan’s "Time Out of Mind"

Anthem Beckett Studies Reader

Re-viewing Samuel Beckett

Anthem Beckett Studies Reader

Re-viewing Samuel Beckett

World as It Goes

A Comedy

Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision

Theatre of Fake News

The Final Curtain: The Art of Dying on Stage

Dreams and Dialogues in Dylan’s "Time Out of Mind"

Belarusian Theatre and the 2020 Pro-Democracy Protests

Documenting the Resistance