AMS Studies in Music – serie

Representing Russia's Orient

From Ethnography to Art Song

"Taken by the Devil"

The Censorship of Frank Wedekind and Alban Berg's Lulu

Songs of Sacrifice

Chant, Identity, and Christian Formation in Early Medieval Iberia

The Critical Nexus

Tone-System, Mode, and Notation in Early Medieval Music

Lateness and Brahms

Music and Culture in the Twilight of Viennese Liberalism

Music, Criticism, and the Challenge of History

Shaping Modern Musical Thought in Late Nineteenth-Century Vienna

Rasa

Affect and Intuition in Javanese Musical Aesthetics

Beethoven 1806

Conceptualizing Music

Cognitive Structure, Theory, and Analysis

The Critical Nexus

Tone-System, Mode, and Notation in Early Medieval Music

Inventing the Business of Opera

The Impresario and His World in Seventeenth-Century Venice

Jewish Music and Modernity

Conceptualizing Music

Cognitive structure, theory, and analysis

RASA

Affect and Intuition in Javanese Musical Aesthetics

Lateness and Brahms

Music and Culture in the Twilight of Viennese Liberalism

Inventing the Business of Opera

The Impresario and His World in Seventeenth Century Venice

Music, Criticism, and the Challenge of History

Shaping Modern Musical Thought in Late Nineteenth-Century Vienna

Changing the Score

Arias, Prima Donnas, and the Authority of Performance

Where Sight Meets Sound

The Poetics of Late-Medieval Music Writing

Healing for the Soul

Richard Smallwood, the Vamp, and the Gospel Imagination

Sacred Sounds, Secular Spaces

Transforming Catholicism Through the Music of Third-Republic Paris

French Musical Life

Local Dynamics in the Century to World War II

Josquin's Rome

Hearing and Composing in the Sistine Chapel

Music's Fourth Wall and the Rise of Reflective Listening

Sounding Nation, Hearing Race in Modern Music

Sounding Authentic

The Rural Miniature and Musical Modernism

Opera for the People

English-Language Opera and Women Managers in Late 19th-Century America

Details of Consequence

Ornament, Music, and Art in Paris

Josquin's Rome

Hearing and Composing in the Sistine Chapel