Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism

›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama

ruth weiss

Beat Poetry, Jazz, Art

Reconfigurations of the Bildungsroman

Taking Refuge from Violence in Kincaid, Danticat, hooks, and Morrison

Whiteface

Improv Comedy and Anti-Blackness

Black Border and Fugitive Narration in Black American Literature

Unruly Narrative

Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹

How Whiteness Claimed the Future

The Always New vs The Always Now in US-American Literature

Jamaica Kincaid’s Writings of History

A Poetics of Impermanence

ruth weiss

Beat Poetry, Jazz, Art

Black Border and Fugitive Narration in Black American Literature

Whiteface

Improv Comedy and Anti-Blackness

Narrating, Framing, Reflecting ‘Disability’

21st-Century ‘American’ Perspectives

New Hollywood and Countercultural Whiteness

Affective Affinities and the Politics of Male Expressivity

Life Narratives, Creativity, and the Social in the Americas

Unruly Narrative

Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹

Reconfigurations of the Bildungsroman

Taking Refuge from Violence in Kincaid, Danticat, hooks, and Morrison

How Whiteness Claimed the Future

The Always New vs The Always Now in US-American Literature

Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism

›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama

ruth weiss

Beat Poetry, Jazz, Art

Reconfigurations of the Bildungsroman

Taking Refuge from Violence in Kincaid, Danticat, hooks, and Morrison

Whiteface

Improv Comedy and Anti-Blackness

Black Border and Fugitive Narration in Black American Literature

Unruly Narrative

Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹

How Whiteness Claimed the Future

The Always New vs The Always Now in US-American Literature

Jamaica Kincaid’s Writings of History

A Poetics of Impermanence

ruth weiss

Beat Poetry, Jazz, Art

Black Border and Fugitive Narration in Black American Literature

Whiteface

Improv Comedy and Anti-Blackness

Narrating, Framing, Reflecting ‘Disability’

21st-Century ‘American’ Perspectives

New Hollywood and Countercultural Whiteness

Affective Affinities and the Politics of Male Expressivity

Life Narratives, Creativity, and the Social in the Americas

Unruly Narrative

Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹

Reconfigurations of the Bildungsroman

Taking Refuge from Violence in Kincaid, Danticat, hooks, and Morrison

How Whiteness Claimed the Future

The Always New vs The Always Now in US-American Literature