Histories of Material Culture and Collecting, 1700-1950 – serie

Silver in Georgian Dublin

Making, Selling, Consuming

Private Collecting, Exhibitions, and the Shaping of Art History in London

The Burlington Fine Arts Club

Collecting and Displaying China's “Summer Palace” in the West

The Yuanmingyuan in Britain and France

Fashionability, Exhibition Culture and Gender Politics

Fair Women

Nordic Private Collections of Chinese Objects

Women and the Art and Science of Collecting in Eighteenth-Century Europe

Design, Production and Reception of Eighteenth-Century Wallpaper in Britain

Private Collectors of Islamic Art in Late Nineteenth-Century London

The Persian Ideal

Private Collectors of Islamic Art in Late Nineteenth-Century London

The Persian Ideal

Women and the Art and Science of Collecting in Eighteenth-Century Europe

Emergence of the Korean Art Collector and the Korean Art Market

European, British, and American Musical Instrument Collectors, 1850–1940

François Boucher and the Art of Collecting in Eighteenth-Century France

Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain

Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain

Nature and the Nation in Fin-de-Siècle France

The Art of Emile Gallé and the Ecole de Nancy

Emergence of the Antique and Curiosity Dealer in Britain 1815-1850

The Commodification of Historical Objects

Emergence of the Korean Art Collector and the Korean Art Market

Collecting and Displaying China's “Summer Palace” in the West

The Yuanmingyuan in Britain and France

Private Collecting, Exhibitions, and the Shaping of Art History in London

The Burlington Fine Arts Club

Museum of French Monuments 1795-1816

‘Killing art to make history’

Potters and Patrons in Edo Period Japan

Takatori Ware and the Kuroda Domain

Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris

Photojournalism and the Origins of the French Writer House Museum (1881-1914)

Privacy, Publicity, and Personality

Manufacturing the Modern Patron in Victorian California

Cultural Philanthropy, Industrial Capital, and Social Authority

Materiality of Color

The Production, Circulation, and Application of Dyes and Pigments, 1400–1800

British Models of Art Collecting and the American Response

Reflections Across the Pond

Materializing Gender in Eighteenth-Century Europe

Nordic Private Collections of Chinese Objects