Paul Mellon Centre for Studies in British Art – förlag

Julia Margaret Cameron

The Colonial Shadows of Victorian Photography

Life in the Country House in Georgian Ireland

Artists’ Moving Image in Britain Since 1989

Elizabethan Globalism

England, China and the Rainbow Portrait

Aquatint Worlds

Travel, Print, and Empire, 1770–1820

Witnessing Slavery

Art and Travel in the Age of Abolition

Classical Body in Romantic Britain

Christopher Wren

In Search of Eastern Antiquity

Early Irish Sculpture and the Art of the High Crosses

London's New Scene

Art and Culture in the 1960s

Bernard Leach

Life and Work

Joseph Wright of Derby

Painter of Darkness

Hidden Mod in Modern Art

London, 1957-1969

Aesthetic Painting in Britain and America

Collectors, Art Worlds, Networks

Making the Modern Artist

Culture, Class and Art-Educational Opportunity in Romantic Britain

Late Works of J. M. W. Turner - The Artist and his Critics

The Artist and his Critics

Enlightened Eclecticism

The Grand Design of the 1st Duke and Duchess of Northumberland

Daniel Cottier

Designer, Decorator, Dealer

Illuminating Natural History

The Art and Science of Mark Catesby

William Blake's Printed Paintings

Methods, Origins, Meanings

Biographical Dictionary of British and Irish Engravers, 1714–1820

Biographical Dictionary of English Architecture, 1540-1640

London's 'Golden Mile'

The Great Houses of the Strand, 1550–1650

Victorian Visions of War and Peace

Aesthetics, Sovereignty, and Violence in the British Empire

Survey of London: Whitechapel

Volumes 54 and 55

English Garden Eccentrics - Three Hundred Years of Extraordinary Groves, Burrowings, Mountains and Menageries

Three Hundred Years of Extraordinary Groves, Burrowings, Mountains and Menageries

Radical Vision of Edward Burne-Jones

Grafted Arts

Art Making and Taking in the Struggle for Western India, 1760-1910

Revolution on Canvas

The Rise of Women Artists in Britain and France, 1760-1830