Museum of Modern Art in Warsaw – förlag

Team 10 East – Revisionist Architecture in Real Existing Modernism

Andrzej Wróblewski: Recto / Verso

Something Flashed, Something Broke, Something Re – Consciousness Neue Bieriemiennost

Maria Bartuszová – Provisional Forms

Points of Convergence – Alternative Views on Performance

Other Transatlantic – Kinetic and Op Art in Eastern Europe and Latin America

Edi Hila

Zofia Kulik – Methodology, My Love

Art in a Disrupted World – Poland 1939–1949

Hope Is of a Different Color – From the Global South to the Lodz Film School

Form of Friendship

The Museum on the Square

Building the Museum of Modern Art in Warsaw / Budowa Muzeum Sztuki Nowoczesnej w Warszawie

New Museum and the Impermanent Canon

Four Takes on the MSN Collection

Museum of Modern Art in Warsaw Collection Guide

Woman Question 1550–2025

Maria Jarema

Cracked Modernism

Being a Guest in a Catastrophe

Collections of the Museum of Modern Art in Warsaw and Museo Reina Sofia in Madrid

As Soon as I Open My Eyes I See a Film – Experiments in Yugoslav art in the 60s and 70s

Was Socialist Realism Global?

Modernism, Soc-modernism, Socially Engaged Figuration

Post–Post–Soviet? – Art, Politics and Society in Russia at the Turn of the Decade

House as Open Form: The Hansens` Summer Resi – Dom jako Forma Otwarta. Szumin Hansenów Szumin Hansenow

After Year Zero – Geographies of Collaboration

Object Lessons – Zofia Rydet′s Sociological Record

Past Disquiet

Artists, International Solidarity and Museums in Exile

Miriam Cahn – I As Human

1968–1989. Political Upheaval and Artistic Change

Ion Grigorescu – In the Body of the Victim

Alina Szapocznikow – Awkward Objects