Zadie Smith

Nurten Birlik is a Senior Instructor of English Literature in the Department of Foreign Language Education at Middle East Technical UniversityNoémi Albert is a Lecturer at the Institute of English Studies, University of Pécs (PTE)

• Introduction: new relationalities in Zadie Smith’s works – Nurten Birlik and Noémi Albert1 Almost twenty years old: retrospection, belatedness and nostalgia in Zadie Smith’s White Teeth (2000) – Philip Tew2 Can we really escape the past?: cultural memory and motherhood in Zadie Smith’s Novel White Teeth – Gülrenk Hayircil3 “I mourn, therefore I am”: textualization of grief in The Autograph Man – Cansu Özge Özmen4 “I could not get from him what I wanted”: on family, fragments and foundations in “Hanwell in Hell” – Lewis MacLeod5 Reading otherness and finding beauty in Zadie Smith’s On Beauty – Aurel Mure?an6 The challenges of (new) cosmopolitanism: Zadie Smith’s NW as contemporary urban epic – Gönül Bakay7 Incompetent mothers and the ‘good enough’ father in Smith’s Swing Time – Nurten Birlik and Meltem Yilmaz8 From London to New York - at the juncture of spaces and selves: Zadie Smith’s Grand Union: Stories – Noémi Albert9 “Contested spaces,” conflict, and stability: the socio-structural politics of urban spaces in Zadie Smith’s selected essays – Manasvini Rai10 Reflections on Zadie Smith’s 2020 Intimations: a social- historical analysis – Viktória Hucsek and Lívia Szélpál11 Zadie Smith: mastering the art of the short story – Tracey L. Walters12 The Wife of Willesden: a subversive subject position – Nurten Birlik