You, the Choreographer

Vladimir Angelov is a choreographer, author, and the Executive Director of the International Consortium for Advancement in Choreography, Dance ICONS, Inc. — the International Choreographers’ Organization and Networking Services, a global association for choreographers, based in Washington, D.C., USA.

• Part 1: Time Travel – Choreographing Through the Ages 1: Stone Age: The Dawn of Dance – Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion – Choreographing Art 3. Medieval Age: Leaping into Group Identity – Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms – Choreographing Culture 5. Industrial Age: Dancing the Self – Choreographing Expression 6. Information Age: Turning Against the Norm – Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency – Choreographing Integration Part 2: Mind and Muscle – The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art – Corpus Cognitus 9. Inside the Brain of the Choreographer – Dissection of a Glorious Mind 10. Handling Perfect Imperfections – Intuitive Craftsmanship Part 3: Concept and Context – Innovation, Intentionality and Individuality 11. Inventive Creativity – In Art, Everything is Possible 12. Framing Content and Sorting Concepts – Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity – The Search for Who I Am Part 4: Form and Formlessness - Generating Movement Material 14. The Emergence of Movement – First Crawl and Walk, then Run 15. Dance Improvisation – Embracing Choreographic Adventures 16. Choreographic Phrase – Diving into the Movement Flow Part 5: Process and Progress – Developing Movement Material 17. Choreographic Devices and Operations – Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct – Architecting A Dance 19. Physical Dramaturgy – Making A Monument Out Of Movement Part 6: Sonic Swing – Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever? – Melody In Motion 21. Seeking, Choosing and Working with the Music – Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word – Body of Sound Part 7: Picture Perfect - Venture Follows Vision 23. Nurturing Semantics – Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design – Piecing A Production 25. A Career in Choreography – Dancing Decisions Moving Forward

"…a lovely and useful resource for anyone interested in the timeless art of choreography." — Christopher Wheeldon, The Royal Ballet, UK"…a cumulative reference for understanding the craft of choreography." — Hans van Manen, Dutch National Ballet, The Netherlands"…a practical guide to a supremely impractical endeavor: dancemaking." — Septime Webre, Hong Kong Ballet, Hong Kong"…inspiration to finding your individuality as a choreographer." — Jennifer Archibald, Cincinnati Ballet, and Faculty, Yale School of Drama, USA"…a meticulous and thoughtful handbook for anyone interested in choreography." — Neil Ieremia, Black Grace, New Zealand "…advice on how to begin, which is the most important part of the work." — Annabelle Lopez Ochoa, Choreographer, The Netherlands "…an elegantly composed and comprehensive companion book with techniques of dance making." — Amelia Rudolph, BANDALOOP, USA"…a thoroughly researched manual to understanding choreographic skills." — Pontus Lidberg, Danish Dance Theatre, Denmark "…an opportunity for emerging choreographers to study the rules so they can stretch the rules." — Yuanyuan Wang, Beijing Dance Theater, China"…insight into the complexities of the creative process and a roadmap for direction." — Rafael Bonachela, Sydney Dance Company, Australia"…dance helps you to discover yourself and this book helps you discover how." — David Dawson, Dutch National Ballet, The Netherlands, and Semperoper Ballett, Germany"…a compass to explore choreography and direct dance." — Sidi Larbi Cherkaoui, Ballet of the Grand Théâtre de Genève, Switzerland, and Eastman, Belgium