Vivian Kao is assistant professor of composition and coordinator of the first-year writing program at Lawrence Technological University. Her research interests include the teaching and learning of humanities and composition at STEM universities, literature/film adaptation, postcolonial studies, and the Victorian novel. Her monograph, Postcolonial Screen Adaptation and the British Novel, was published in 2020, and her work has appeared in Teaching English in the Two-Year College, Composition Forum, Interdisciplinary Humanities, Scholarship and Practice of Undergraduate Research, and various literature journals.Julia E. Kiernan is an assistant professor of communications at Lawrence Technological University. Her research and teaching are intimately linked, and regularly examine the shifting impacts of pedagogical and curricular design in the digital humanities, translingual and transnational writing, environmental sciences, and medical humanities. Julia’s favored research methodology is active research, which focuses on the impacts of listening, reflection, and feedback throughout learning processes. Her work has appeared in a number of peer-reviewed edited collections as well as the journals Composition Forum, Interdisciplinary Humanities, Communication and Language at Work, Journal of Global Literacies, Technologies, and Emerging Pedagogies, and Composition Studies.

• Introduction Section I. Teaching Chapter 1. Gaining STEAM: The Integral Role of Composition in an Increasingly STEM World Chapter 2. Building Socioscientific Trust is a Post-Secondary Obligation: Preparing STEM Students to Communicate and Engage with Public Audiences Chapter 3. STEAM Storytime: Fusing Artistic Expression with Scientific Discourse through Picture Books Chapter 4. Interdisciplinary Collaboration for a New Humanities and a New Engineer Section II. Research and Scholarship Chapter 5. STEAMing Up Composition: Inquiry-Based Learning and the Non-Traditional Student Chapter 6. Knowledge in the Making: How STEAM can Transform Notions of Expertise Chapter 7. Toward a Mindful Application of Gamification Chapter 8. Familiar Technologies and Learning Principles to Attract and Retain STEM Student Interest in First-Year Writing Chapter 9. Creative Writing Across the Curriculum: Defining and Illustrating a Method for STEM/Humanities Integration Section III. Writing Program Administration Chapter 10. "Some of the rooms are occupied by squirrels": Communication and the New Polytechnic Chapter 11. All Aboard: Gaining STEAM in Health Sciences Education Chapter 12. "To Feel, With Amazement, Their Minds": Science, Humanism, Inquiry, and the Rhetorical Work of Wonder Chapter 13. Local Exigencies in a World of Expectations: STEM Writing Programs and the Great Balancing Act

Vivian Kao is assistant professor of composition and coordinator of the first-year writing program at Lawrence Technological University. Her research interests include the teaching and learning of humanities and composition at STEM universities, literature/film adaptation, postcolonial studies, and the Victorian novel. Her monograph, Postcolonial Screen Adaptation and the British Novel, was published in 2020, and her work has appeared in Teaching English in the Two-Year College, Composition Forum, Interdisciplinary Humanities, Scholarship and Practice of Undergraduate Research, and various literature journals.Julia E. Kiernan is an assistant professor of communications at Lawrence Technological University. Her research and teaching are intimately linked, and regularly examine the shifting impacts of pedagogical and curricular design in the digital humanities, translingual and transnational writing, environmental sciences, and medical humanities. Julia’s favored research methodology is active research, which focuses on the impacts of listening, reflection, and feedback throughout learning processes. Her work has appeared in a number of peer-reviewed edited collections as well as the journals Composition Forum, Interdisciplinary Humanities, Communication and Language at Work, Journal of Global Literacies, Technologies, and Emerging Pedagogies, and Composition Studies.

• Introduction Section I. Teaching Chapter 1. Gaining STEAM: The Integral Role of Composition in an Increasingly STEM World Chapter 2. Building Socioscientific Trust is a Post-Secondary Obligation: Preparing STEM Students to Communicate and Engage with Public Audiences Chapter 3. STEAM Storytime: Fusing Artistic Expression with Scientific Discourse through Picture Books Chapter 4. Interdisciplinary Collaboration for a New Humanities and a New Engineer Section II. Research and Scholarship Chapter 5. STEAMing Up Composition: Inquiry-Based Learning and the Non-Traditional Student Chapter 6. Knowledge in the Making: How STEAM can Transform Notions of Expertise Chapter 7. Toward a Mindful Application of Gamification Chapter 8. Familiar Technologies and Learning Principles to Attract and Retain STEM Student Interest in First-Year Writing Chapter 9. Creative Writing Across the Curriculum: Defining and Illustrating a Method for STEM/Humanities Integration Section III. Writing Program Administration Chapter 10. "Some of the rooms are occupied by squirrels": Communication and the New Polytechnic Chapter 11. All Aboard: Gaining STEAM in Health Sciences Education Chapter 12. "To Feel, With Amazement, Their Minds": Science, Humanism, Inquiry, and the Rhetorical Work of Wonder Chapter 13. Local Exigencies in a World of Expectations: STEM Writing Programs and the Great Balancing Act

Vivian Kao is assistant professor of composition and coordinator of the first-year writing program at Lawrence Technological University. Her research interests include the teaching and learning of humanities and composition at STEM universities, literature/film adaptation, postcolonial studies, and the Victorian novel. Her monograph, Postcolonial Screen Adaptation and the British Novel, was published in 2020, and her work has appeared in Teaching English in the Two-Year College, Composition Forum, Interdisciplinary Humanities, Scholarship and Practice of Undergraduate Research, and various literature journals.Julia E. Kiernan is an assistant professor of communications at Lawrence Technological University. Her research and teaching are intimately linked, and regularly examine the shifting impacts of pedagogical and curricular design in the digital humanities, translingual and transnational writing, environmental sciences, and medical humanities. Julia’s favored research methodology is active research, which focuses on the impacts of listening, reflection, and feedback throughout learning processes. Her work has appeared in a number of peer-reviewed edited collections as well as the journals Composition Forum, Interdisciplinary Humanities, Communication and Language at Work, Journal of Global Literacies, Technologies, and Emerging Pedagogies, and Composition Studies.

• Introduction Section I. Teaching Chapter 1. Gaining STEAM: The Integral Role of Composition in an Increasingly STEM World Chapter 2. Building Socioscientific Trust is a Post-Secondary Obligation: Preparing STEM Students to Communicate and Engage with Public Audiences Chapter 3. STEAM Storytime: Fusing Artistic Expression with Scientific Discourse through Picture Books Chapter 4. Interdisciplinary Collaboration for a New Humanities and a New Engineer Section II. Research and Scholarship Chapter 5. STEAMing Up Composition: Inquiry-Based Learning and the Non-Traditional Student Chapter 6. Knowledge in the Making: How STEAM can Transform Notions of Expertise Chapter 7. Toward a Mindful Application of Gamification Chapter 8. Familiar Technologies and Learning Principles to Attract and Retain STEM Student Interest in First-Year Writing Chapter 9. Creative Writing Across the Curriculum: Defining and Illustrating a Method for STEM/Humanities Integration Section III. Writing Program Administration Chapter 10. "Some of the rooms are occupied by squirrels": Communication and the New Polytechnic Chapter 11. All Aboard: Gaining STEAM in Health Sciences Education Chapter 12. "To Feel, With Amazement, Their Minds": Science, Humanism, Inquiry, and the Rhetorical Work of Wonder Chapter 13. Local Exigencies in a World of Expectations: STEM Writing Programs and the Great Balancing Act