Catherine E. Paul is Professor Emerita of English at Clemson University.

• IntroductionCatherine E. Paul • Writing Modern Ireland•EssaysRonald Schuchard • Yeats in ExtremisEd Madden • “Here, of all places”: Geographies of Sexual and Gender Identity in Keith Ridgway’s The Long FallingMichael J. Sidnell • Beckett’s Discovery of Theater: Human Wishes, and the Dramaturgical Contexts of EleutheriaWim Van Mierlo • “I have met you too late”: James Joyce, W. B. Yeats and the Making of Chamber MusicLiam Harte • The Politics of Pity in Sebastian Barry’s A Long Long WayMargaret Mills Harper • Flesh and Bones: Anne Enright’s The GatheringAlexandra Poulain • “Westward ho!”: The Only Jealousy of Emer, From Noh to TragedyKen Monteith • Enabling Emer, Disabling the Sidhe: W. B. Yeats’s The Only Jealousy of EmerEamonn Wall • The Use of Memory: Michael Coady’s All SoulsJohn Dennison • “To construct something upon which to rejoice”: Seamus Heaney’s Prose RevisionsThomas Dillon Redshaw • Remains and Removals: Th e Cuala Press Revival, 1969–1989Jonathan Allison • “The Old Moon-Phaser”: Yeats, Auden, and MacNeiceMichael Cade-Stewart • A Satyric Paradise: Th e Form of W. B. Yeats’s “News for the Delphic Oracle”Wanda Balzano • Abroad and at Home: The Question of the Foreigner in Kate O’Brien’s Mary LavelleJeanette Shumaker • The Deathly Conformity of Irish Women: Novels by Mary O’Donnell and Susan KnightRand Brandes • Mercury in Taurus: W. B. Yeats and Ted HughesWayne K. Chapman • “Notes Chirruping Answer”: Language as Music in James Joyce and Virginia WoolfHedwig Schwall • Allegories of Writing: Figurations of Narcissus and Echo in W. B. Yeats’s WorkJefferson Holdridge • “Halved Globe, Slowly Turning”: Editing Irish Poetry in America•Contributors

Catherine E. Paul is Professor Emerita of English at Clemson University.

• IntroductionCatherine E. Paul • Writing Modern Ireland•EssaysRonald Schuchard • Yeats in ExtremisEd Madden • “Here, of all places”: Geographies of Sexual and Gender Identity in Keith Ridgway’s The Long FallingMichael J. Sidnell • Beckett’s Discovery of Theater: Human Wishes, and the Dramaturgical Contexts of EleutheriaWim Van Mierlo • “I have met you too late”: James Joyce, W. B. Yeats and the Making of Chamber MusicLiam Harte • The Politics of Pity in Sebastian Barry’s A Long Long WayMargaret Mills Harper • Flesh and Bones: Anne Enright’s The GatheringAlexandra Poulain • “Westward ho!”: The Only Jealousy of Emer, From Noh to TragedyKen Monteith • Enabling Emer, Disabling the Sidhe: W. B. Yeats’s The Only Jealousy of EmerEamonn Wall • The Use of Memory: Michael Coady’s All SoulsJohn Dennison • “To construct something upon which to rejoice”: Seamus Heaney’s Prose RevisionsThomas Dillon Redshaw • Remains and Removals: Th e Cuala Press Revival, 1969–1989Jonathan Allison • “The Old Moon-Phaser”: Yeats, Auden, and MacNeiceMichael Cade-Stewart • A Satyric Paradise: Th e Form of W. B. Yeats’s “News for the Delphic Oracle”Wanda Balzano • Abroad and at Home: The Question of the Foreigner in Kate O’Brien’s Mary LavelleJeanette Shumaker • The Deathly Conformity of Irish Women: Novels by Mary O’Donnell and Susan KnightRand Brandes • Mercury in Taurus: W. B. Yeats and Ted HughesWayne K. Chapman • “Notes Chirruping Answer”: Language as Music in James Joyce and Virginia WoolfHedwig Schwall • Allegories of Writing: Figurations of Narcissus and Echo in W. B. Yeats’s WorkJefferson Holdridge • “Halved Globe, Slowly Turning”: Editing Irish Poetry in America•Contributors

Catherine E. Paul is Professor Emerita of English at Clemson University.

• IntroductionCatherine E. Paul • Writing Modern Ireland•EssaysRonald Schuchard • Yeats in ExtremisEd Madden • “Here, of all places”: Geographies of Sexual and Gender Identity in Keith Ridgway’s The Long FallingMichael J. Sidnell • Beckett’s Discovery of Theater: Human Wishes, and the Dramaturgical Contexts of EleutheriaWim Van Mierlo • “I have met you too late”: James Joyce, W. B. Yeats and the Making of Chamber MusicLiam Harte • The Politics of Pity in Sebastian Barry’s A Long Long WayMargaret Mills Harper • Flesh and Bones: Anne Enright’s The GatheringAlexandra Poulain • “Westward ho!”: The Only Jealousy of Emer, From Noh to TragedyKen Monteith • Enabling Emer, Disabling the Sidhe: W. B. Yeats’s The Only Jealousy of EmerEamonn Wall • The Use of Memory: Michael Coady’s All SoulsJohn Dennison • “To construct something upon which to rejoice”: Seamus Heaney’s Prose RevisionsThomas Dillon Redshaw • Remains and Removals: Th e Cuala Press Revival, 1969–1989Jonathan Allison • “The Old Moon-Phaser”: Yeats, Auden, and MacNeiceMichael Cade-Stewart • A Satyric Paradise: Th e Form of W. B. Yeats’s “News for the Delphic Oracle”Wanda Balzano • Abroad and at Home: The Question of the Foreigner in Kate O’Brien’s Mary LavelleJeanette Shumaker • The Deathly Conformity of Irish Women: Novels by Mary O’Donnell and Susan KnightRand Brandes • Mercury in Taurus: W. B. Yeats and Ted HughesWayne K. Chapman • “Notes Chirruping Answer”: Language as Music in James Joyce and Virginia WoolfHedwig Schwall • Allegories of Writing: Figurations of Narcissus and Echo in W. B. Yeats’s WorkJefferson Holdridge • “Halved Globe, Slowly Turning”: Editing Irish Poetry in America•Contributors