’... a superb book, essential reading for everyone interested in Byrd, the Elizabethan period, and the social fabric of the period.’ Richard Turbet, University of Aberdeen ’[The] archival detail [...] helps to make a larger point, that the Byrds were not a family of musicians but a family of merchants... biographies of many other people with links to Byrd build a rich picture of the life of commerce he would have fallen into naturally if he hadn't shown such precocious talent for music.’ Times Literary Supplement '... a most welcome addition... A must read for all who love Byrd's music and who are interested in the world in which he lived.' Early Music America 'Emulating William Byrd's own mastery of counterpoint, John Harley brings together every individual known to have had significant contact with the composer and, with Byrd himself as the cantus firmus, narrates how they and their activities interacted with and impinged upon Byrd.' The Consort 'This is a very rich, well-written book.' The Diapason 'Each of the book's four parts adds to an intricately and sensitively designed mosaic of the complex and volatile world of mid- and late-sixteenth-century England that is the context within which Byrd's music [...] should be understood. With its refreshing approach to the study of early modern English music and musicians, this book would primarily appeal to music historians, but its thoroughly researched panorama and vivid descriptions are doubtlessly apt to attract a wider range of readers interested in the musical and social history of sixteenth-century England.' Renaissance Quarterly 'John Harley's impressive and exhaustive research into the life and work of William Byrd led to his fine book William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997)... [F]urther findings are now published in this sequel.' The Viola da Gamba Society Journal 'Corrective and authoritative: adjectives which apply to the book as a whole.' Musical Times
