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World of the Florentine Renaissance Artist

Projects and Patrons, Workshop and Art Market

Häftad, Engelska, 2011

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First published in German in 1938 and later translated into English, this classic of Italian Renaissance historiography centres on the relationship between Florentine art and the conditions under which it was created. In rich detail, Martin Wackernagel explores the impact of patronage and function, widespread demand for art, workshop techniques, and businesses practices on artists' lives and the results they achievedWackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments. Through this, he highlights the development of major civic and religious artistic complexes such as the Palazzo Vecchio, the Cathedral and Baptistery, and the convent of Santa Maria Novella. This volume also features a biography of the author and an essay on important later publications related to Wackernagel's themes and arguments.

Produktinformation

Utgivningsdatum2011-03-05
Mått155 x 231 x 32 mm
Vikt780 g
FormatHäftad
SpråkEngelska
SerieRSART: Renaissance Society of America Reprint Text Series
Antal sidor488
FörlagUniversity of Toronto Press
ISBN9781442611849
ÖversättareLuchs, Alison

Tillhör följande kategorier

Renässansen inom Historia och arkeologi
Konsthistoria inom Kultur

Translator's AcknowledgmentsTranslator's IntroductionAbbreviationsAuthor's PrefaceAuthor's IntroductionPART I The CommissionsCHAPTER 1 Great Projects and Work on Them from 1420 to 1530 The Duomo and BaptisteryThe Church and Convent of Santa Maria NovellaThe Palazzo VecchioCHAPTER 2 Sculptural Commissions Sculpture for Church BuildingsSculpture for Domestic BuildingsCHAPTER 3 Painting Commissions Wall Painting and Stained Glass in the Interior of Churches and Convent BuildingsPanel Painting in Sacred SettingsBanners and VestmentsPaintings in Domestic InteriorsHousehold Paintings on Wood and CanvasPainting on the Exterior of Buildings and Throughout the CityscapeCHAPTER 4 Artistic Participation in the Staging of Public Festivities and SpectaclesPART II The PatronsCHAPTER 5 The City Government and the GuildsCHAPTER 6 Private Patronage in the Early and Mid-Quattrocento Representatives of the First Stage of the Early RenaissanceGiovanni Rucellai and Cosimo de' MediciCosimo’s Sons, Piero and Giovanni de' MediciAttitudes and Forms of PatronageCHAPTER 7 Lorenzo Magnifico, Piero di Lorenzo, and Lorenzo di Pierfrancesco de’ MediciCHAPTER 8 Patrons from the Medici Circle in Florence and the Netherlands: the Sassetti, Portinari, Tornabuoni, Filippo Strozzi, and OthersCHAPTER 9 Patrons of the High Renaissance and Extra-Florentine Commissioners and CollectorsCHAPTER 10 The General Attitude toward Art: The Public and the ArtistPART III The Artist’s Workshop and the Art MarketCHAPTER 11 The Artist Class: Its Numerical Strength, Professional Organization, and Occupational DivisionsCHAPTER 12 Studios and their Working Procedures Living and Working Places and the Organization of Work: Master, Assistants, and ApprenticesThe Process of SculptureThe Painter's Working Procedure: DrawingExecution of Panel and Wall PaintingsThe New Generation of Artists: Training for Apprentices and AssistantsCHAPTER 13 Business Practices in the Workshop and Art Market Price Formation and Forms of PaymentEconomic Status of ArtistsCHAPTER 14 The Artists Class Status and Class ConsciousnessThe Artist as a Person, his Social Circle, his Way of Life and WorkThe Artistic Temperament and Range of InterestsThe Artistic Type in Contemporary SocietyAuthor's BibliographyTranslator's BibliographyIndex