Sally Grant is an art historian (PhD, 2013), curator and an arts, culture, and travel journalist. Her art criticism and other writing has appeared in publications such Artforum, Australian Book Review, Ms. Magazine, Hamptons Art Hub, and Australian Gourmet Traveller. She has also written for the Guggenheim blog and catalogue entries for the Post-War and Contemporary Art Department of Christie’s New York. Sally was born and raised in northeast Scotland, completed her BA (Hons) and PhD in Art History and Italian Studies at the University of Sydney and now lives and works in New York. She is an Honorary Research Associate of the Australasian Centre for Italian Studies, where her scholarly research focuses on the art and experience of eighteenth-century Venice and the Veneto villa.

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Sally Grant is an art historian (PhD, 2013), curator and an arts, culture, and travel journalist. Her art criticism and other writing has appeared in publications such Artforum, Australian Book Review, Ms. Magazine, Hamptons Art Hub, and Australian Gourmet Traveller. She has also written for the Guggenheim blog and catalogue entries for the Post-War and Contemporary Art Department of Christie’s New York. Sally was born and raised in northeast Scotland, completed her BA (Hons) and PhD in Art History and Italian Studies at the University of Sydney and now lives and works in New York. She is an Honorary Research Associate of the Australasian Centre for Italian Studies, where her scholarly research focuses on the art and experience of eighteenth-century Venice and the Veneto villa.

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Sally Grant is an art historian (PhD, 2013), curator and an arts, culture, and travel journalist. Her art criticism and other writing has appeared in publications such Artforum, Australian Book Review, Ms. Magazine, Hamptons Art Hub, and Australian Gourmet Traveller. She has also written for the Guggenheim blog and catalogue entries for the Post-War and Contemporary Art Department of Christie’s New York. Sally was born and raised in northeast Scotland, completed her BA (Hons) and PhD in Art History and Italian Studies at the University of Sydney and now lives and works in New York. She is an Honorary Research Associate of the Australasian Centre for Italian Studies, where her scholarly research focuses on the art and experience of eighteenth-century Venice and the Veneto villa.

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