Jennie Batchelor is Reader in Eighteenth-Century Studies at the University of Kent, UK. Her latest book, Women’s Work, was issued in paperback in 2014. With Cora Kaplan, she is Co-Series Editor of Palgrave’s History of British Women’s Writing (2010-). She is currently working on the first women’s magazines. Gillian Dow is Associate Professor in English at the University of Southampton, UK, and Executive Director of Chawton House Library. She is the editor of several collections focusing on women writers, most recently, with Clare Hanson, Uses of Austen: Jane’s Afterlives (Palgrave, 2012). Her monograph in progress focuses on Romantic-Period translation and the novel.

• Introduction: Feminisms, Fictions, Futures: Women’s Writing 1660–1830; Jennie Batchelor and Gillian Dow.- 1. Passing Judgement: The Place of the Aesthetic in Feminist Literary History; Ros Ballaster.- 2. Free Market Feminism? The Political Economy of Women’s Writing; E.J. Clery.- 3. Feminist Literary History: How Do We Know We’ve Won?; Katherine Binhammer.- 4. Anon, Pseud and ‘By a Lady’: The Spectre of Anonymity in Women’s Literary History; Jennie Batchelor.- 5. Authorial Performances: Actress, Author, Critic; Elaine McGirr.- 6. Pay, Professionalization and Probable Dominance? Women Writers and the Children’s Book Trade; M.O. Grenby.- 7. ‘There Are Numbers of Very Choice Books’: Book Ownership and the Circulation of Women’s Texts, 1680–98; Marie-Louise Coolahan and Mark Empey.- 8. Gender and the Material Turn; Chloe Wigston Smith.- 9. Archipelagic Literary History: Eighteenth-Century Poetryfrom Ireland, Scotland and Wales; Sarah Prescott.- 10. The ‘Biographical Impulse’ and Pan-European Women’s Writing; Gillian Dow.- Postscript; Cora Kaplan.- Notes.- Bibliography.- Index.-

Select Guide Rating

Jennie Batchelor is Reader in Eighteenth-Century Studies at the University of Kent, UK. Her latest book, Women’s Work, was issued in paperback in 2014. With Cora Kaplan, she is Co-Series Editor of Palgrave’s History of British Women’s Writing (2010-). She is currently working on the first women’s magazines. Gillian Dow is Associate Professor in English at the University of Southampton, UK, and Executive Director of Chawton House Library. She is the editor of several collections focusing on women writers, most recently, with Clare Hanson, Uses of Austen: Jane’s Afterlives (Palgrave, 2012). Her monograph in progress focuses on Romantic-Period translation and the novel.

• Introduction: Feminisms, Fictions, Futures: Women’s Writing 1660–1830; Jennie Batchelor and Gillian Dow.- 1. Passing Judgement: The Place of the Aesthetic in Feminist Literary History; Ros Ballaster.- 2. Free Market Feminism? The Political Economy of Women’s Writing; E.J. Clery.- 3. Feminist Literary History: How Do We Know We’ve Won?; Katherine Binhammer.- 4. Anon, Pseud and ‘By a Lady’: The Spectre of Anonymity in Women’s Literary History; Jennie Batchelor.- 5. Authorial Performances: Actress, Author, Critic; Elaine McGirr.- 6. Pay, Professionalization and Probable Dominance? Women Writers and the Children’s Book Trade; M.O. Grenby.- 7. ‘There Are Numbers of Very Choice Books’: Book Ownership and the Circulation of Women’s Texts, 1680–98; Marie-Louise Coolahan and Mark Empey.- 8. Gender and the Material Turn; Chloe Wigston Smith.- 9. Archipelagic Literary History: Eighteenth-Century Poetryfrom Ireland, Scotland and Wales; Sarah Prescott.- 10. The ‘Biographical Impulse’ and Pan-European Women’s Writing; Gillian Dow.- Postscript; Cora Kaplan.- Notes.- Bibliography.- Index.-

Select Guide Rating

Jennie Batchelor is Reader in Eighteenth-Century Studies at the University of Kent, UK. Her latest book, Women’s Work, was issued in paperback in 2014. With Cora Kaplan, she is Co-Series Editor of Palgrave’s History of British Women’s Writing (2010-). She is currently working on the first women’s magazines. Gillian Dow is Associate Professor in English at the University of Southampton, UK, and Executive Director of Chawton House Library. She is the editor of several collections focusing on women writers, most recently, with Clare Hanson, Uses of Austen: Jane’s Afterlives (Palgrave, 2012). Her monograph in progress focuses on Romantic-Period translation and the novel.

• Introduction: Feminisms, Fictions, Futures: Women’s Writing 1660–1830; Jennie Batchelor and Gillian Dow.- 1. Passing Judgement: The Place of the Aesthetic in Feminist Literary History; Ros Ballaster.- 2. Free Market Feminism? The Political Economy of Women’s Writing; E.J. Clery.- 3. Feminist Literary History: How Do We Know We’ve Won?; Katherine Binhammer.- 4. Anon, Pseud and ‘By a Lady’: The Spectre of Anonymity in Women’s Literary History; Jennie Batchelor.- 5. Authorial Performances: Actress, Author, Critic; Elaine McGirr.- 6. Pay, Professionalization and Probable Dominance? Women Writers and the Children’s Book Trade; M.O. Grenby.- 7. ‘There Are Numbers of Very Choice Books’: Book Ownership and the Circulation of Women’s Texts, 1680–98; Marie-Louise Coolahan and Mark Empey.- 8. Gender and the Material Turn; Chloe Wigston Smith.- 9. Archipelagic Literary History: Eighteenth-Century Poetryfrom Ireland, Scotland and Wales; Sarah Prescott.- 10. The ‘Biographical Impulse’ and Pan-European Women’s Writing; Gillian Dow.- Postscript; Cora Kaplan.- Notes.- Bibliography.- Index.-

Select Guide Rating