Thomson-Salo, Frances | Tognoli Pasquali, Laura

• Introduction -- Creativity in Psychoanalytic Theory -- Creativity and authenticity -- Discussion of “Creativity and authenticity” by Irma Brenman Pick -- Listening, technique, and all that jazz -- William, did you say, “Much Ado about Nothing”? -- Discussion of “William, did you say: ‘Much Ado about Nothing’?” by Juan Eduardo Tesone -- Female elements and functions in creativity -- Women and creativity -- Creativity in Psychoanalytic Practice throughout the Life Cycle -- When creativity restarts: distorted and adaptive forms -- A little girl’s analysis -- A psychoanalyst in the labour room: the birth of emotions -- Generativity and creativity: dialogue between an obstetrician and a psychoanalyst -- Dreaming about pregnancy when it is not there: two clinical cases -- A particular kind of sterility -- Discussion of “A particular kind of sterility” by Jones de Luca -- “With you I can bleat my heart out”*—older women in psychoanalytic practice -- Creativity in the Arts and Literature -- Using contents from a sewing box: some aspects of the artwork of Sonia Delaunay and Louise Bourgeois -- Commentary on Brodeuses -- The voice of the mother in To the Lighthouse -- Living Creatively in Society -- Happily ever after: depictions of coming of age in fairy tales -- Cultural altruism and masochism in women in the East -- Horses and other animals: some background obstacles to female creativity in Russia -- Is healing possible for women survivors of domestic violence? -- No peaceable woman: creativity in feminist political psychoanalysis—commemorating Margarete Mitscherlich-Nielsen (17.7.1917–12.6.2012) -- Should we as psychoanalysts apologise to women? -- Maria Pia Conte -- Laura Tognoli Pasquali -- Afterword

Thomson-Salo, Frances | Tognoli Pasquali, Laura

• Introduction -- Creativity in Psychoanalytic Theory -- Creativity and authenticity -- Discussion of “Creativity and authenticity” by Irma Brenman Pick -- Listening, technique, and all that jazz -- William, did you say, “Much Ado about Nothing”? -- Discussion of “William, did you say: ‘Much Ado about Nothing’?” by Juan Eduardo Tesone -- Female elements and functions in creativity -- Women and creativity -- Creativity in Psychoanalytic Practice throughout the Life Cycle -- When creativity restarts: distorted and adaptive forms -- A little girl’s analysis -- A psychoanalyst in the labour room: the birth of emotions -- Generativity and creativity: dialogue between an obstetrician and a psychoanalyst -- Dreaming about pregnancy when it is not there: two clinical cases -- A particular kind of sterility -- Discussion of “A particular kind of sterility” by Jones de Luca -- “With you I can bleat my heart out”*—older women in psychoanalytic practice -- Creativity in the Arts and Literature -- Using contents from a sewing box: some aspects of the artwork of Sonia Delaunay and Louise Bourgeois -- Commentary on Brodeuses -- The voice of the mother in To the Lighthouse -- Living Creatively in Society -- Happily ever after: depictions of coming of age in fairy tales -- Cultural altruism and masochism in women in the East -- Horses and other animals: some background obstacles to female creativity in Russia -- Is healing possible for women survivors of domestic violence? -- No peaceable woman: creativity in feminist political psychoanalysis—commemorating Margarete Mitscherlich-Nielsen (17.7.1917–12.6.2012) -- Should we as psychoanalysts apologise to women? -- Maria Pia Conte -- Laura Tognoli Pasquali -- Afterword

Thomson-Salo, Frances | Tognoli Pasquali, Laura

• Introduction -- Creativity in Psychoanalytic Theory -- Creativity and authenticity -- Discussion of “Creativity and authenticity” by Irma Brenman Pick -- Listening, technique, and all that jazz -- William, did you say, “Much Ado about Nothing”? -- Discussion of “William, did you say: ‘Much Ado about Nothing’?” by Juan Eduardo Tesone -- Female elements and functions in creativity -- Women and creativity -- Creativity in Psychoanalytic Practice throughout the Life Cycle -- When creativity restarts: distorted and adaptive forms -- A little girl’s analysis -- A psychoanalyst in the labour room: the birth of emotions -- Generativity and creativity: dialogue between an obstetrician and a psychoanalyst -- Dreaming about pregnancy when it is not there: two clinical cases -- A particular kind of sterility -- Discussion of “A particular kind of sterility” by Jones de Luca -- “With you I can bleat my heart out”*—older women in psychoanalytic practice -- Creativity in the Arts and Literature -- Using contents from a sewing box: some aspects of the artwork of Sonia Delaunay and Louise Bourgeois -- Commentary on Brodeuses -- The voice of the mother in To the Lighthouse -- Living Creatively in Society -- Happily ever after: depictions of coming of age in fairy tales -- Cultural altruism and masochism in women in the East -- Horses and other animals: some background obstacles to female creativity in Russia -- Is healing possible for women survivors of domestic violence? -- No peaceable woman: creativity in feminist political psychoanalysis—commemorating Margarete Mitscherlich-Nielsen (17.7.1917–12.6.2012) -- Should we as psychoanalysts apologise to women? -- Maria Pia Conte -- Laura Tognoli Pasquali -- Afterword