Tropp expands her analysis beyond the pregnant woman, arguing that cultural and market forces like reality television, pregnancy blogs, and the pregnancy advice market have created 'pregnancy voyeurs' who maintain the publicity of pregnancy through their spectatorship (p. 50). A Womb with a View does an excellent job of accounting for the multiplicity of actors invested in pregnancies and gives a great deal of attention to fathers' roles in public pregnancies. . . . [H]er critical analysis of pregnancy's publicity, her use of culturally relevant examples and her clear and accessible language make this text a valuable resource for students in media studies, women's and gender studies, and cultural studies.